This work is a exploration of texture, materiality, and the subtle nuances of earth pigments. The painting presents a dynamic composition that captivates with the haptic quality of its surface and the deliberate use of different earth tones.
The picture surface is characterized by organic forms and transitions. Large areas in a warm, sandy brown tone reminiscent of clay or dry earth frame more central, lighter areas. The center of the work is dominated by shades of light beige, almost white, and a hint of delicate blue or gray, which breaks up the composition and creates a certain depth.
This painting exudes an aesthetic that is both raw and refined. It appeals to the viewer on a primal level and encourages contemplation of transience, the forces of nature, and the beauty of untouched material.
The style of this painting can be classified as abstract expressionism or material abstraction, with strong echoes of informal painting. It is a work that blurs the boundaries between painting and sculpture and seeks beauty in imperfection, in process, and in nature. The use of earth and clay plaster underscores the connection to the earth and nature.
Materials: clay, natural pigments and cellulose, coated with linseed oil. on a base of pressed cellulose fibers and plywood.
| Dimensions LxWxH | 60x80x2cm (24x31x1'') |
|---|---|
| Piece Weight (kg) | 5 |
| Production Year | |
| Material | Bio Pigments, Earthenware, Natural Fibers, Natural Stone, Sand |
| Discipline | |
| Color | |
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