White Tubes' Form

by Mingshu Li Norway


Made to order

Estimated production time: 12 weeks

Ceramic sculpture without glazes.
Dimension LxWxH (cm): 34x34x40
Unique Pieces Material : Porcelain
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“All my works are focused on two keywords: holes and airflow. I believe a hole itself has as much shape-meaning as a solid mass. I use holes as the extension of the surface and enter into a dialogue with the material to discover something new: space. Also, I’m working with holes to represent airflow. In Chinese, we use “qì” to describe air. This multiple-meaning character also symbolizes breath, material energy, and energy flow. I’d like to let my works express those energies—not only in a kiln, but also when displayed in a physical exhibition space.

The hand-held clay extruder is a very important tool of my recent art practice. I found it’s almost the best tool explaining the ideas of holes and airflow at the same time. When I press the clay into the extruder, the reaction of clay shows me how strong it is; the air bubbles in the clay always pop and make holes in the sculpture. Therefore, I combine the methods of extruding and coiling to create ceramic sculptures.”


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About the designer

Mingshu Li

An emerging ceramic artist based in Oslo, Norway, Mingshu Li was born in 1994 in China and went on to obtain a Masters in Medium and Material Based Art at the Kunsthøgskolen i Oslo in 2018. She has participated in exhibitions for the past three years both nationally and internationally.

Mingshu was highly inspired by the environment around her and represented it in her works. She has been exploring non-traditional ways of using clay for making sculptures, understanding how clay can be utilized as a medium to make sense of who she is and where she lives.

Curated by

Presenting “PROXIMITY”, a collection created in collaboration with Southern Sweden Design Days showcasing a selection of new work from ten designers and studios. As a whole, the collection contemplates the notion of proximity, interconnection, and belonging. Whether through contemporary references to traditional crafts techniques; the use of locally sourced materials such as wool, lichen, steel, and wood; or playful visualisations of the notion itself, the selected pieces illustrate the importance of closeness, interconnection, and kinship in uncertain times. Featuring pieces by Andrea Santivanez, Andréason & Leibel, Ebba Lindgren, Förstberg Ling, Jóna Berglind Stefánsdóttir, Lab La Bla, Lisa Darland, Louise Hederström, Moa Lönn, and Studio M. Organised by Form/Design Center in Malmö, Sweden, Southern Sweden Design Days is an annual event currently in its second edition, which highlights sustainability, collaboration, development, and innovation in design. This year’s theme, as described by the event organisers, “[reflects] on the notion of being close – the connection between people, cities, countries, species, professions, etc”. The physical exhibition of “PROXIMITY” will take place at Lokstallarna, Södra Bulltoftavägen 51, 212 22 Malmö from 19 - 22 May 2022.