Untitled Lamp
by Don Heston Studio United Kingdom (UK)

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  • This is One of a kind
    How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
  • Can be customized upon request
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Description

The Untitled Lamp by Don Heston Studio is a homage to all things perfectly imperfect. The Sycamore Burl branch stem continues that wabi-wabi aesthetic whilst juxtaposed by the smooth, round lampshade. The contrast of the shade and base’s smooth dark penny chocolate finish with the stem’s randomised textural elements represents the balance often needed in life, to accept the rough with the smooth, the hard with the soft, and the easy with the hard.

It’s a playful and 1-of-1 piece never to been seen anywhere else.

One of One, rare item.

Dimensions LxWxH
Weight (kg)

5

Production Year

Material

,

Discipline

Color

Design Class

About Don Heston Studio Visit Showroom →

As a self-taught Designer Maker navigating the complex landscape of contemporary design, I embrace a path that celebrates individuality and fosters creative exploration. My work is steeped in a thoughtful reverence for the natural world, as I seek to delve into the textures and patterns that often go unnoticed by mainstream sensibilities. Each handmade piece reflects my commitment to sustainability, utilizing ethically sourced materials that resonate with a deeper appreciation of their origins. I draw inspiration from the nuanced intricacies of nature's design—each curve, each texture tells a story that transcends the ordinary. The allure of imperfections becomes a central theme in my process, as I find inspiration in the organic beauty that defies rigid conventions. By infusing my creations with these elements, I aspire to evoke a sense of timelessness and harmony, inviting others to reconsider the aesthetics of the materials around us. In crafting furniture, I approach each design as a dialogue between the piece and the space it will inhabit. My keen eye for richly textured woods and vibrant colours speaks to an appreciation for the diverse heritage of materials often overlooked. This exploration serves not only to beautify environments but also to highlight the intricate narratives that accompany them—stories of resilience, transformation, and the profound connection we share with our surroundings. My commitment to sustainable practices is an invitation for others to join in reimagining our relationship with the material world. By embracing what is often avoided, I hope to inspire a broader conversation about the richness found in diversity and the importance of a conscientious approach in our creative endeavours. Each piece I create becomes a silent ambassador for this philosophy, encouraging appreciation for the beauty that lies beyond the surface and advocating for a world that honours both heritage and the environment.
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