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System P4

by studio PART Belgium

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System P4

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System P4

This is an Open Edition
Each edition may differ
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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Description

Grown from a locally planted seed, the “System P4” owes its origin to the love for the dovetail joint. By maximizing this ancient craft, Studio PART was able to make a cradle-to-cradle shelving system that does not use any glue and is, therefore, a supreme example of the conscious crafting the studio aims to do. The aesthetics, much like the wood joints and the traditional production method, are of a timeless character. Evoking minimalism while maintaining a warm wooden feel.

Weight (kg)	55
Production Year	2021
Material	Other Types Of Wood Possible On Demand, Sonian Wood Birch
Discipline	Wood & Cabinetmaking
Color	Mat Oiled Finish
Design Class	Open Editions
Dimensions LxWxH	200x26x148cm (79x10x58'')

About studio PART Visit Showroom →

studioPART The studio aims to look at design, not as a single occupation, but as a woven whole in a world of plenty, believing more in a universal connection than just the duality of their universe. This offers a gigantic freedom in design but also a huge consequential responsibility. Designers at studioPART are very aware that every object, drawing or even concept is interlinked and has an effect on its surrounding environment, be it physical or emotional. Knowing this, they do not take their job lightly.Each object is undeniably a part of its surroundings. This being one of the studio’s basic design rules, it creates a subtle connection between the objects, their users and other neighboring factors. When working on the humble scale of furniture it is important to be aware of the context. Misplacement of objects and materials can often lead to a speeded decay and a feeling of dissatisfaction. It is crucial to avoid these mistakes by connecting the dots carefully and creating work that is timelessly intertwined to its surroundings. By identifying with an object, it will last a lifetime and live on as a part of remembrance.