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Sui Cappelli/ About Hats - Ceramic Sculpture

Sui Cappelli/ About Hats – Ceramic Sculpture
by Federica Paglia Italy

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€305 incl. tax

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Sui Cappelli/ About Hats - Ceramic Sculpture

This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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Description

A vase, covered and inaccessible, deprived of its everyday utility, becomes a symbol. An aesthetic interpretation that invites reflection on its new role, from practical utensil to work of art, elevating the ordinary to the extraordinary.

“With an ironic inversion, we accept the hats offered to us by others to protect them, but only to safeguard ourselves. Instead, we offer ours with the fear of exposing ourselves to the impurity they believe they are exposed to.” – Paolo Fabbri – On the Head: Figures, Exchanges, Manners. (1991)

The hat is welded to the structure

Ceramic sculpture
27 (H) x 21 (D) cm

Dimensions LxWxH	20x23x26cm (8x9x10'')
Weight (kg)	2
Production Year	2024
Material	Ceramics, Glazes
Discipline	Ceramics And Stoneware
Color	Green/Pink, Red/Blue
Design Class	Unique Pieces

About Federica Paglia Visit Showroom →

Born in 1988 Federica Paglia is an artist and multidisciplinary designer who lives and works between Rome and Milan. After graduating in industrial design, and specializing in systems design, she developed her career by consolidating collaborations with renowned design studios. These allowed her to explore different design identities. She then decided to open her studio-laboratory in Rome where she works passionately on creating pieces with a strong narrative character, combining different disciplines and materials. Her works focus on the possible connections between art, decoration, and design. Through a process that starts from the observation of everyday life and the reinterpretation of simple forms, she creates objects with sometimes invisible boundaries, where content and container merge simultaneously.