Shelter Credenza

by YANKATU - Maria Fernanda Paes de Barros Brazil

16.864 Incl.0% TAX

1 in stock

Insured Delivery: 1.686
Est delivery: Dec 16th, 2021
Shipping to :
-
+

1 In stock and ready to ship

Estimated production time: 2 - 12 weeks

Dimension LxWxH (cm): 300x45x120
Unique piece Material : Cabreuva solid wood, Cotton threads dyed naturally
Buyers protection
  • Certificate of Authenticity A signed certificate from the maker is always included in the box.

  • Lowest price guaranteed Find a lower price from the seller, we'll match it.

  • Secure online transactions All personal information that you send to us is encrypted and cannot be viewed by others.

  • 100% insured global deliveries We arrange worldwide delivery, and every shipment no matter the price is fully insured against damages.

  • 14 days return policy In the rare event, you receive a piece that you are not fully satisfied with, you can return it within 14 days of receipt for a full refund except return shipping costs. Made-to-order items are not eligible for return.

Questions? Ask the maker.
Request customation Make an offer Chat with the maker

Message

DOWNLOAD CATALOG (PDF)

Description

“I like these moments of sharing, where without realizing we learn at the same time that we teach, whether by words, looks, or demonstrations. Unfortunately, this face-to-face exchange was interrupted by the pandemic, but with the help of Kulikyrda, me and women from Kaupüna village were able to carry out them at a distance. Through video lessons, I learned the technique of weaving a mat and, in São Paulo, using cylinders of solid cabreuva instead of buriti stems, I wove a mat that became the door of a buffet.”

With a design also inspired by the oca structure, the “Shelter Credenza” represents the family – the shelter – where everyone protects themselves from the cold and rain, where they get together to sleep, where the young women go to their seclusion, and is also the place that keeps intact the traditions, identity, and culture of the Mehinako people.

Additional information

Weight 230 kg
Dimensions 320 × 65 × 140 cm
Dimensions LxWxH (cm)

Weight (kg)

Material

,

Production Year

Color

About the designer


YANKATU - Maria Fernanda Paes de Barros

My motivation comes from my soul and flows openly, on my life and in my work. I love what I do and I do it with intensity, I live every moment and I transmit all this emotion. In each project I immerse myself deeply in the region, in their craft and in the lives of the people who make them, it is a dive governed by research and by my soul, guided by the heart, done with respect and with the rhythm dictated by time. I get transformed and provoke transformations, and these atitudes reflect in the surroundings and beyond. I believe that design and art are one of the ways to value and eternalize the ancestral knowledge of Brazilian traditional crafts and the importance of nature around us, and so I use all tools that I have to create a quilt of infinite possibilities, full of feelings. Through Yankatu I expose not only my work, I bring with me the dreams and works of the artisans and instigate new dreams. The tangible part of this work are the pieces that intertwine my touch with the lives that share their moments with me. The other part, immeasurable, is in continuous development, in a mixture of art and freedom, with no date to finish. It is a continuous development, in a relationship created around respect and trust. My desire, to be able to do this as long as I live.

Curated by

Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making. The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.