Orí – Wood & Shell Shelf
by Nina Coimbra Brazil

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  • This is a Limited Edition of 10
    How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
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Description

The Orí Shelf by Nina Coimbra is a piece inspired by African Brazilian religions such as Ifá, Candomblé and Umbanda. It makes reference do an important entity “Orí”, considered one of the most important entities for it is individual and responsible for taking care of one’s “head”. In this piece, there is a wood top in the shape of a dome which holds a “headpiece” made from more than 3000 natural cowshells, while the circumfrence is covered in a natural cowshell curtain, that creates a “sacred” and “safe” space inside the piece, a place to put your power objects of special meaning. There is an intent by the artist designer to re-enchant objects from our quotidien, in the attempt to rethink our relationship with objects and consumerism.

The Shelf is made with Jequitibá Rosa wood, Brass details and more than 7000 Natural Cowshells

Dimensions LxWxH
Weight (kg)

30

Production Year

Material

Discipline

Color

Design Class

Number Of Pieces Created

10

About Nina Coimbra Visit Showroom →

Nina Coimbra is a Brazilian artist, based in Brasília DF. Born in 1984, her formative years were spent living in different countries due to her father being a Brazilian diplomat. The possibility of living in a variety of countries shaped her esthetic perceptions of the world in all of its’ plural shapes and expressions in form. Her studies were centered in visual arts as well as art restoration and conservation, giving her ample possibilities in her explorations on materiality and technique. Nina is interested in the stories objects tell and their secret life, and her work as an artist and designer is focused on the “re-enchantment” of the objects that have lost their “aura” due to consumerism and mass production in contemporary society.
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