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Little Rock Vase - Special Edition (deconstructed O.1)

Little Rock Vase – Special Edition (deconstructed O.1)
by Ugly Things et al. United States (US)

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Little Rock Vase - Special Edition (deconstructed O.1)

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Little Rock Vase - Special Edition (deconstructed O.1)

This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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Little Rock Vase - Special Edition (deconstructed O.1)

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Description

This cylindrical piece from the Little Rock series showcases nature’s raw beauty through its constellation of embedded stones and organic textures. The sleek vertical form is punctuated by carefully placed rock fragments in warm earth tones—cream, rust, and amber—that emerge from the deep charcoal surface like minerals exposed in weathered cliff faces.

Natural cracks traverse the vessel’s surface, celebrating the authentic marks of fire and time rather than concealing them. Each embedded stone tells its own story, creating a tactile landscape that invites closer inspection. The clean cylindrical silhouette provides contemporary elegance while the textured surface pays homage to geological formations shaped by centuries of natural forces.

Sculptural vase, not watertight.

All pieces are handmade, and no two pieces are identical.

Dimensions LxWxH	13x13x18cm (5x5x7'')
Weight (kg)	1
Production Year	2025
Material	Ceramics, Stoneware
Discipline	Ceramics And Stoneware
Color	"Negro" (Black), Black Gloss Matt
Design Class	Unique Pieces

About Ugly Things et al. Visit Showroom →

Ugly Things et al. is a Los Angeles–based ceramic studio creating modern craft objects that merge ancient sensibilities with contemporary design. Founded by artist Zou Chen, the practice centers on hand-built vessels that draw inspiration from California’s geological landscapes—eroded cliffs, sediment layers, and shifting terrain. On her hikes through the wilderness, Zou forages for wild clay and local pigments, incorporating materials from the Santa Monica and San Gabriel Mountains into her work. These elements infuse each piece with a physical connection to the land—vessels shaped not only by hand but by time and earth. Every object is constructed slowly and intuitively, often featuring embedded stone forms, torn seams, and gestural surfaces that echo erosion, memory, and movement. These pieces function as both containers and contemplative sculptures, occupying space somewhere between the ceremonial and the everyday.