Kukeri Floor Lamp
by Curtis Bloxsidge Australia

2.468
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  • This is an Open Edition
    Each edition may differ
    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
  • Can be customized upon request
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Description

This piece is part of a debut body of work by Curtis Bloxsidge that infuses knit textures with minimalist jarrah timber forms.
This lamp is a reference to Bulgarian costumes that are worn whilst performing traditional rituals to fend off evil spirits. Combining this with the warmth and charm of the art deco fringed lamps to serve as a playful expression of the classic floor lamp. It shares an ambient glow with an inbuilt timber knobbed dimmer.

International connections are available. Shade and base plate are removable via screws with Allen key provided.

Plug Type G (UK) (Will be adapted to destination)
Voltage 220-240V
Cord length (cm) 160 (Can be customised)
Switch On cord (Dimmer switch)
Dimensions LxWxH
Piece Weight (kg)

14

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Design Class

About Curtis Bloxsidge Visit Showroom →

Coming to fruition in 2024, Curtis' practice emerged from a background in cabinet making, joinery, and set construction, formed by a slow and deliberate development of ideas. Working between traditional handcraft and contemporary processes, he focuses on natural materials to create bold, minimal pieces that are grounded, quiet, and enduring. Growing up in Western Australia and now living and working on Wurundjeri land (Naarm/Melbourne, Australia), Curtis' work is informed by personal and sentimental histories. Working predominantly with jarrah (a timber native to his birth area), which becomes a conduit for memories, it carries a strong but intimate presence through its weight, warmth, and grain. Each piece is approached not just as an object but also as a character, shaped by restraint, proportion, and touch. His designs draw subtle references from the natural world and classical furniture archetypes, distilled into reduced forms that feel both familiar and considered with emphasis placed on material honesty, surface, and shadow. Jarrah (djarraly, Eucalyptus marginata) is endemic to the south-west corner of Australia. Renowned for its strength, durability, and deep, rich tones, it has long been used for tools, construction, and furniture by the Noongar people and later populations for centuries. Today, the timber is sustainably sourced from regrowth forests under strict environmental regulations, continuing a material lineage that values longevity, purpose, and respect for place.
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Photo Curtis Bloxsidge
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