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"Ignorance is Bliss" Bowl

“Ignorance is Bliss” Bowl
by Agne Kucerenkaite Netherlands

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"Ignorance is Bliss" Bowl

This is an Open Edition
Each edition may differ
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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"Ignorance is Bliss" Bowl

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Description

Since the Industrial Revolution, ignorance and negligence have generated overloaded landfills in our throw-away culture. Metals are crucial to our world, and, unfortunately, a non-renewable resource. “Ignorance is Bliss” is an ongoing project about reincorporating the value of metal waste by applying it as a pigment from industries such as drinking water supply and soil remediation companies into new valuable products and methods. The colors are retrieved purely by using pigments from waste. In this project, surprisingly, the more contaminated the raw material, the more vibrant the designed objects are.

Each piece is hand-crafted and fired in a unique reduction gas oven, comes with its own charming irregularities. All ceramic pieces are food safe.
Please inquire about other available pieces and colors.

Production Year	2021
Material	Porcelain
Discipline	Ceramics And Stoneware, Upcycling & Reuse
Color	Brown, Dark Brown, Dark Green, Green, Light Brown, Light Green
Design Class	Open Editions
Dimensions LxWxH	12x12x7cm (5x5x3'')

About Agne Kucerenkaite Visit Showroom →

Agne Kucerenkaite is a material designer from Vilnius, Lithuania, who graduated in Design Academy Eindhoven and currently based in the Netherlands. Agne enjoys working with raw materials, transforming them into valuable products, methods, and systems, seeking interaction between design, society, industry, and environment. Her design process is characterized by in-depth research, experimental approach, and hands-on practice, motivated by historical and sociocultural contexts. Technical investigation of seemingly unattractive and industrially driven processes that she finds to be the most interesting source of unexpected links and associations, drive her design work.