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Horn Series - Stool

Horn Series – Stool
by juyong shim South Korea

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Horn Series - Stool

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Horn Series - Stool

This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
Can be customized upon request
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Horn Series - Stool

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Description

Horn Series Stool

‘Horn Series’ is a project that reinterprets the form and structure of the speaker horn—a relic of industrial civilization now considered functionally obsolete. By uncovering new functional possibilities and reconstructing them into everyday furniture, this project breathes new life into forgotten objects. Through this exploration, ‘Horn Series’ aims to challenge fixed perceptions of function and image, encouraging audiences to transcend the limits of self-awareness and memory. It invites them to experience a shift in perspective, discovering the unexpected in the familiar.

The product functions as a stool and as an object placed in space.

This series was produced in small quantities and is available only in limited quantities, maintaining its rarity.

Fabric selection is customizable upon request and may incur an additional charge.

Dimensions LxWxH	25x45x45cm (10x18x18'')
Weight (kg)	6
Production Year	2025
Material	Plastics, Stainless Steel
Discipline	Upcycling & Reuse
Color	Anodized Silver, Black, Stainless Steel
Design Class	Unique Pieces

About juyong shim Visit Showroom →

Juyong Shim is a Seoul-based designer who explores the structural potential and sensory remnants of objects and components embedded in our everyday lives. Often produced within industrial contexts, these objects carry unique forms, materials, and memories—revealing latent possibilities for reinterpretation and renewed use. Shim collects and disassembles familiar items, reconstructing their remaining materiality and semiotic traces into sculptural compositions. Through this process, each object is transformed into a scene that drifts between function and non-function, structure and image, the domestic and the exhibited—opening subtle gaps in perception and sensation. His work goes beyond simple reuse or formal experimentation. It proposes a renewed way of thinking about the relationship between objects, space, memory, and the senses. Rather than focusing on how we use things, Shim’s designs invite us to feel, observe, and reflect—uncovering unfamiliar layers within the familiar and exploring alternative ways of seeing the world.