Cult Stool – Sculptural Side Table In Blue Calcite
by Panorammma Atelier Mexico

2.732
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    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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Description

Cult stool/side table by Panorammma Atelier.

This hand-sculpted piece, made from Mexican Blue Calcite, evokes a primal sculptural-architectural language while presenting materials in a modernist fashion. Its design allows the unique, eccentric pattern formations of the material to define its final appearance, making each edition a unique work.
Drawing on the language of crystal healing, this piece channels the calming energy of blue calcite, a crystal long associated with clarity, protection, and creative flow. Working with rocks endemic to Mexico contextualizes the work on a geological level, situating the pieces within a continuing and evolving historical narrative. Like an archaeological exploration, working with native stones reveals a heritage of meticulous craftsmanship developed under the possibilities and limitations of local materials. When sculpting stone, there is only one chance to get things right. As each rock is different, the form must be tailored to the material, in a process of discovering what each piece conceals.

Dimensions LxWxH
Piece Weight (kg)

67

Production Year

Material

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Design Class

About Panorammma Atelier Visit Showroom →

PANORAMMMA’S POETICS OSCILLATE BETWEEN DISCIPLINES, WHILE FOCUSING ON A CRUCIAL POINT OF CONTEMPORARY SENSIBILITY: THE EXPANDING PATHOLOGY OF THE CONCRETE, THE ALIENATION OF EVERYDAY LIFE AND THE SPACE THAT ABSTRACTION OCCUPIES IN THE SOCIAL SPHERE. PANORAMMMA’S DESIGNS DELVE INTO THESE THEMES BY EXPLORING PAST VISIONS OF THE FUTURE AND CREATING THE MYTH OF MEMORY. BUILDING ON OUR PAST AND PERSONAL EXPERIENCES THROUGH NEW VISUAL NARRATIVES. PANORAMMMA DOES NOT SEEK TO CREATE OBJECTS THAT EXIST APART FROM EVERYDAY EXPERIENCE AS MUSEUM PIECES, BUT OBJECTS TO BE LIVED AND USED. THESE OBJECTS REQUIRE A CCOMMITMENT ON THE PART OF THE VIEWER SO THAT AS A USER THEY FACILITATE THE FULFILMENT OF THEIR OBJECTIVE TASKS. ACTIVATING THEM BY S I T TING ON THEM, EATING WITH THEM, DRINKING FROM THEM, TURNING THEM ON, TURNING THEM OFF, CARESSING THEM, SLEEPING WITH THEM, WAKING UP TO THEM. ALLOWING THESE OBJECTS TO INTIMATELY AFFECT OUR BEHAVIOURS AND TO BE AFFECTED BY THEM. PANORAMMMA PURSUES THE CREATION OF OBJECTS THAT GENERATE FISSURES FROM WFROM WHICH FANTASY SPILLS INTO OUR REALITY AND INFORMS AN IMAGINATIVE PLAY; A SCENOGRAPHY FROM PARALLEL FICTION. PSEUDO PROPS. PANORAMMMA CREATES ACTORS THROUGH WHOSE PRESENCE AND PERFORMATIVE ABILITY CAN CREATE OF OUR DOMESTIC SPACES UNUSUAL SCENARIOS. TESTIMONIES OF A REFUSAL TO LIVE ORDINARILY. MAIKA PALAZUELOS;(DESIGNER AND DIRECTOR) INITIATED PANORAMMMA DURING THE CONFINEMENT WITH THE INTENTION OF CREATING A PERMEABLE AND OPEN PLATFORM FOR DESIGN EXPLORATION.
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