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Cult Stool, Sculptural Side Table

Cult Stool, Sculptural Side Table
by Panorammma Atelier Mexico

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€1.200 - €2.500 incl. tax

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Cult Stool, Sculptural Side Table

This is an Open Edition
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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Cult Stool, Sculptural Side Table

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Description

Cult stool/ side table; a hand-sculpted stone from a Mexican marble and Mexican onyx conglomerate, remits to primal sculptural-architectural language while displaying materials in a modernist manner. The piece allows for the specificity of the material’s eccentric pattern formations to rein over its final appearance. Each edition is a unique piece.

Working with rocks that are endemic to Mexico contextualizes the work at a geological level. Situating the pieces in a continuing and evolving historical narrative. Like taking part in an archaeological exploration, working with native stones reveal a heritage of meticulous craftsmanship developed under the possibilities and limitations of local materials.
When sculpting stone, you only get one chance to get things right. As each rock is different one must tailor form onto the material, in the way of discovering what each piece hides.

Variations	Honey Marble, Green Onyx, In Black Laquer
Dimensions LxWxH	25x25x45cm (10x10x18'')
Weight (kg)	40
Production Year	2021
Material	Onyx Conglomerate
Discipline	Stone Sculpting
Color	Honey
Design Class	Open Editions

About Panorammma Atelier Visit Showroom →

PANORAMMMA’S POETICS OSCILLATE BETWEEN DISCIPLINES, WHILE FOCUSING ON A CRUCIAL POINT OF CONTEMPORARY SENSIBILITY: THE EXPANDING PATHOLOGY OF THE CONCRETE, THE ALIENATION OF EVERYDAY LIFE AND THE SPACE THAT ABSTRACTION OCCUPIES IN THE SOCIAL SPHERE. PANORAMMMA’S DESIGNS DELVE INTO THESE THEMES BY EXPLORING PAST VISIONS OF THE FUTURE AND CREATING THE MYTH OF MEMORY. BUILDING ON OUR PAST AND PERSONAL EXPERIENCES THROUGH NEW VISUAL NARRATIVES. PANORAMMMA DOES NOT SEEK TO CREATE OBJECTS THAT EXIST APART FROM EVERYDAY EXPERIENCE AS MUSEUM PIECES, BUT OBJECTS TO BE LIVED AND USED. THESE OBJECTS REQUIRE A CCOMMITMENT ON THE PART OF THE VIEWER SO THAT AS A USER THEY FACILITATE THE FULFILMENT OF THEIR OBJECTIVE TASKS. ACTIVATING THEM BY S I T TING ON THEM, EATING WITH THEM, DRINKING FROM THEM, TURNING THEM ON, TURNING THEM OFF, CARESSING THEM, SLEEPING WITH THEM, WAKING UP TO THEM. ALLOWING THESE OBJECTS TO INTIMATELY AFFECT OUR BEHAVIOURS AND TO BE AFFECTED BY THEM. PANORAMMMA PURSUES THE CREATION OF OBJECTS THAT GENERATE FISSURES FROM WFROM WHICH FANTASY SPILLS INTO OUR REALITY AND INFORMS AN IMAGINATIVE PLAY; A SCENOGRAPHY FROM PARALLEL FICTION. PSEUDO PROPS. PANORAMMMA CREATES ACTORS THROUGH WHOSE PRESENCE AND PERFORMATIVE ABILITY CAN CREATE OF OUR DOMESTIC SPACES UNUSUAL SCENARIOS. TESTIMONIES OF A REFUSAL TO LIVE ORDINARILY. MAIKA PALAZUELOS;(DESIGNER AND DIRECTOR) INITIATED PANORAMMMA DURING THE CONFINEMENT WITH THE INTENTION OF CREATING A PERMEABLE AND OPEN PLATFORM FOR DESIGN EXPLORATION.