Bowels – Stoneware Collectible Sculpture
by Vale Ro Spain

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Description

A unique stoneware sculpture by Vale Ro, enhanced with personally formulated glazes designed to mimic the effect of glass. This piece is part of a series called “Atravesar,” where curves are used to map the invisible, tracing paths and revealing hidden connections. Inspired by the ancestral Shipibo-Konibo designs known as Kené, these patterns are considered manifestations of the cosmic energy of the anaconda, the mother of ayahuasca. Kené represents not only a form of ancestral art but also a profound connection with roots, dreams, and the natural environment.

In a world captivated by surface beauty, “Bowels” dares to unearth and revalue the often-overlooked spaces. The series reflects the constant interaction and interconnectivity that often go unnoticed in our surroundings. As your eyes follow the sculpture’s undulating curves, you are invited to embrace the complexities within the human experience.

Dimensions LxWxH
Weight (kg)

3.0

Production Year

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Design Class

About Vale Ro Visit Showroom →

Valeria Rodriguez is a Peruvian multidisciplinary artist based in Barcelona. Her practice is rooted in the exploration of intuitive organic forms inspired by patterns and inclinations observed in the natural world. Growing up amid the immense beauty of the Amazon deeply shaped her artistic vision, sparking a lasting fascination with the hidden structures that connect all forms of life. Through drawing, painting, and sculpture, she brings to life the stories embedded within natural forms, crafting intentional objects that convey organic sensations and evoke a sense of movement and interconnectivity. Her work challenges the tendency to overlook the profound ties between beings—human and non-human alike—shifting focus from surface appearance to deeper meaning and presence. Each piece created at Vale Ro serves as a portal into the unseen dimensions of existence, inviting viewers to reflect on the complexity and beauty of the world around and within us.
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