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Bimschtal No 1 – Wooden Bench
by StorqueStudios United Kingdom (UK)

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    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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Description

This is a series of construction beams transformed into benches by StorqueStudios. The material has been drawn from unidentifiable locations and restored using different techniques to preserve the original imprints and story of the material’s body.

Carefully assessing all material before use, screw holes, wonks, and cracks determine the final method of treatment and new detailed features that now appear bench.

Bimschtal no1 arrived at our Workshop with multiple screw holes and scratches, being recognized as Tulipwood. We innovated a method for fixing the damaged areas with birch Plywood strip inserts. The Plydowel, produced By Storquestudios, has come in handy for this occasion; this material has helped camouflage the big holes and has created continuation as a structural element.

Dimensions LxWxH
Weight (kg)

10

Production Year

Material

,

Discipline

Color

Design Class

About StorqueStudios Visit Showroom →

KavczuK, Wojtek Kawczyk is the maker behind StorqueStudios, a mikro design practice based in London/Tottenham. Wojtek primarily works with wood waste and the revitalisation of ‘unwanted’ objects. He is focused on the principle of circular economy; working collaboratively with other makers, he captures available construction materials to understand it's inherent properties. Studying the navigation of form and behaviour becomes inspiration for new projects. His aim is to challenge the design discipline, by bringing unconventional solutions to the ‘table’. Through waste management, his practice opens up new studies of materials through function and form. Wojtek is currently working on a short series of furniture that is predestinated for bigger production scale... he believes that contemporary design should be utilitarian and accessible. Production of new original forms such as furniture/ with a built- in circular economy "module" can change the order of consumerism and define a new aesthetic!
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