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Shipwreck Vase

Shipwreck Vase
by Sugoi Studio Denmark

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Shipwreck Vase

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Shipwreck Vase

This is an Open Edition
Each edition may differ
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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Shipwreck Vase

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Description

Ceramic vase resembling a giant oyster shell. Highly decorative on its own as a sculpture, and gorgeous with fresh flowers.

White clay, glaze, 2025. Unique piece.

About the series:
Shipwreck is a series inspired by ancient vessels—vases, cups, and other relics—reclaimed by the sea. These pieces recall the slow metamorphosis that occurs when human-made objects are submerged, forgotten, and transformed by their environment. Encrusted with oysters, small shells, and altered textures, the works embody a quiet, organic decay—a kind of marine decadence.
Rather than preserving perfection, Shipwreck embraces erosion, growth, and the beauty of becoming something else entirely. The series blurs the boundary between artifact and organism, inviting us to consider time, transformation, and the poetry of ruin.

The vase holds water and can be washed by hand with a soft sponge and dishwashing soap.

Dimensions LxWxH	30x22x43cm (12x9x17'')
Piece Weight (kg)	7
Production Year	2025
Material	Ceramics, Glazed Ceramic, Stoneware
Discipline	Ceramics And Stoneware
Color	White And Green
Design Class	Open Editions

About Sugoi Studio Visit Showroom →

Charlotte Kølkjær, the ceramic artist behind Sugoi Studio, explores the beauty and indulgence of life through hyper-realistic sculptures in white stoneware. From ashtrays and half-empty plates to oyster shells, Kølkjær's creations are symbols of decadence—the remnants of a night well-lived. In her hands, these “ugly leftovers” are polished, over-aestheticized, and perfected, challenging conventional beauty and celebrating moments of unapologetic indulgence. With a hint of self-irony, her work examines the millennial obsession with aestheticizing everyday life, from the curated chaos of “not-trying-too-hard” social media images to her fondness for seashells and vintage typography. Through meticulous detail and a touch of nostalgia, Kølkjær invites us to see these fragments as moments worth celebrating, polished, and perfected in their imperfection.