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Chandelier – The Staff Of Asclepius
by Danik Uderbekov Kazakhstan

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  • This is a Limited Edition of 8
    How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
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Description

Designed and created by Danik Uderbekov, with conceptual authorship and editing by his wife, Assel Jakibayeva, the “Staff of Asclepius” chandelier is a captivating blend of ancient mythology, natural materials, and modern technology.

A Symbolic Design for 2025, the Year of the Snake
Inspired by the Lunar calendar, where 2025 marks the Year of the Snake, this chandelier pays homage to the snake’s significance in Eastern astrology as a symbol of wisdom, insight, and adaptability. The design also draws from the ancient Greek legend of Asclepius, the god of medicine and healing. The tale of the snake wrapping around Asclepius’ staff and the discovery of a life-restoring herb speaks to the harmony of nature and humanity’s capacity to learn and adapt.

Crafted from Nature and Technology
This piece is a seamless marriage of tradition and innovation, celebrating the wisdom of nature and the ingenuity of modern craftsmanship:

  • 3D-Printed Components: The chandelier was crafted using biodegradable plastic made from corn, demonstrating a commitment to sustainability.
  • Natural Sheep Wool: Carefully applied to enhance the organic aesthetic.
  • An Ancient Pine Branch: The branch, once part of an 80-year-old pine tree from the shores of Lake Burabai in Northern Kazakhstan, is a story in itself. Toppled by a hurricane, the branch was naturally weathered by the lake, wind, and sun, shedding its bark to reveal a beautifully aged texture.

A Tribute to Timeless Wisdom
This chandelier is not merely a lighting fixture but a narrative piece—a modern symbol of wisdom, shaped by the forces of nature and human creativity. It reflects the belief that everything has already been invented by nature, and it is humanity’s task to observe, understand, and apply that knowledge thoughtfully.

With “The Staff of Asclepius,” history, myth, and modernity converge, illuminating the wisdom of the past through the lens of contemporary design.

This chandelier was printed on a 3D printer, made of biodegradable PLA plastic, a branch wrapped around a snake taken from a dried pine tree. The lamp has five lamps with a standard socket.

Dimensions LxWxH
Weight (kg)

10

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Number Of Pieces Created

8

About Danik Uderbekov Visit Showroom →

Daniyar Uderbekov is a Kazakhstani designer whose work has become a bridge between ancient traditions and modern technologies. Born in Kazakhstan, a country with a rich cultural heritage and ancient craft traditions, Daniyar has been surrounded by natural materials and handmade work since childhood. He is inspired by the idea that if the Neolithic era had not disappeared over the centuries, but had continued to evolve, it could have been expressed in modern objects combining primitive aesthetics with advanced technology. My name is Daniyar Uderbekov, I am a designer from Kazakhstan. Born in the beautiful city of Almaty, he is a graphic artist by education. I am 44 years old. He started his professional career with graphic design in Astana, the capital of Kazakhstan. Then my future wife and I were invited to an exhibition company as designers of exhibition stands and pavilions, where we completed an internship in Germany, where we discovered World Design for the first time. They participated in the development of the concept and design of stands and pavilions of Kazakhstan at World exhibitions such as "Aichi 2005" in Japan, "Zaragoza 2008" in Spain, "Shanghai 2010" in China, "Yeosu 2012" in South Korea. In 2012, we opened our own Event Agency. At the same time, in my free time, as a hobby, I started making furniture and decor for myself, friends and relatives as a gift. My wife graduated as an interior designer and today it is here that she is successfully implemented. In 2020, during the pandemic, my wife suggested that I think about turning my hobby into my main activity. Being self-taught, I lacked professional knowledge, so we decided that I needed to get a special education. In 2021, I enrolled in a subject design course at the Details School of Design. There I plunged into a community of like-minded people and became convinced that I was on the right track! In search of my unique DNA, thanks to my Teachers and Mentors, I found my main Value - I turned to my roots! At school, I learned that subject designers need to express themselves, participate in exhibitions and competitions, and it is the competitive environment that gives growth and development. Otherwise, no matter how unique and talented an artist is, it may remain "on the table" without recognition. So, in 2022, I created a collection of felt - a series of objects: an armchair, an ottoman and a shelving. Felt is a traditional material of my native nomadic people, which was used in the manufacture of Yurts, interior decorations and clothing. After all, this wonderful “sustainability” material is natural, eco-friendly, tactilely pleasant, biodegradable, and ethical towards animals. It is resistant to rain, snow and heat. For my chair, I used one single piece of felt, which is stretched over a frame assembled from cuttings from garden tools and connecting elements printed on a 3D printer. For printing, I used recycled plastic from used PET bottles. It takes about one hundred plastic 1L bottles or 20 5L bottles to create one chair. Unexpectedly for me, the collection immediately brought Victory and recognition at various competitions and exhibitions! I am sincerely grateful to everyone who believed and accepted my work!
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