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"Pixelated Rose" Table Lamp

“Pixelated Rose” Table Lamp
by Natalia Triantafylli United Kingdom (UK)

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"Pixelated Rose" Table Lamp

This is an Open Edition
Each edition may differ
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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"Pixelated Rose" Table Lamp

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Description

The “Pixelated Rose” Table Lamp is part of the “Chimeras of a High Tide”, a collection of artifacts created using traditional ceramic techniques and rapid prototyping mediums (3D scanning, photogrammetry), leading to a result where the original can be hardly distinguished from its reproduction.

”The project started from my walks around the city of London, where with the eyes of a foreigner, I developed a particular fascination with the ornate Elements of Victorian mass-produced furniture. As a Greek person, I am used to living amongst the ruins of past grandeur, so I was intrigued by the paradox of the Victoriana, where the latest means of industrial production were expressed through revivalism.”

E14 bulb. This lamp works in UK standards, however, there is a possibility to alter the plug after request.
Use only LED bulbs, do not expose in high temperatures.

Dimensions LxWxH	15x15x30cm (6x6x12'')
Weight (kg)	1
Production Year	2021
Material	3D Printed PLA, Parian Porcelain
Discipline	Ceramics And Stoneware
Color	Copper Green, Ivory-White
Design Class	Open Editions

About Natalia Triantafylli Visit Showroom →

Natalia Triantafylli is a Greek designer and maker based in London. She holds an MA from the Royal College of Art in Design Products (class of 2021), where she was awarded with a full scholarship by the Burberry Design Foundation. With a background in design and ceramics her work is characterized by an animistic perspective towards 'things'. She explores schemas such as luxury, fetish and wonder for their power to create gateways to imaginary worlds. She uses these constructions to point to the rarity of the mundane, concluding that there is no need for a new reality but for a fresh pair of eyes.