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Tip Top Shelf

Tip Top Shelf
by Studio Daae United States (US)

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Tip Top Shelf

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Tip Top Shelf

This is an Open Edition
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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Tip Top Shelf

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Description

Inspiration for the Tip Top shelf was subconsciously developed over years of living in New York. Biking through the city, discovering new buildings and views created a sense of an ever changing landscape no matter where you go. I wanted to capture this architectural inspiration and bring in down to a relatable scale and invoke a tangible aspect to the piece. The expression of the shelf changes as your move around the shelf – much like the skyline of New York.

Made of solid pine wood that has been stained light blue, the piece maintain a level of familiarity and tactility while the blue color adds a playful and airy feel.
The color and size can be customised to accommodate any project.

Shelf can be customised in color, shelving amount and size.

Dimensions LxWxH	178x36x182cm (70x14x72'')
Weight (kg)	50
Production Year	2025
Material	Pine Wood
Discipline	Wood & Cabinetmaking
Color	Baby Blue
Design Class	Open Editions

About Studio Daae Visit Showroom →

Studio Daae's founder, Michael Daae Christensen, is a designer whose work navigates the space between structure and spontaneity. Born and raised in Denmark, he studied furniture design at the Royal Danish Academy of Fine Arts in Copenhagen, where he was immersed in the traditions of form, function, and restraint. In 2016, he relocated to New York for an internship, and eventually stayed for the intensity and unpredictability that the city offered as a counterpoint to his roots. Over the years, Michael has shaped his perspective through working with architecture studios, design firms, and retail furniture brands. These varied experiences served as a kind of material and design apprenticeship, informing an approach that remains open, curious, and unbound by genre. In 2024, he founded his own practice as a way to explore the expansive world of design on his own terms. His work spans disciplines, categories and materials. Rather than starting with a fixed palette or process, Michael allows each project to define its own needs. The result is a body of work that feels both deliberate and free—where precision meets play, and simplicity is often complicated by a subtle twist. Rooted in Scandinavian simplicity infused by the eclectic energy of New York, his practice seeks not to resolve opposites, but to let them coexist.