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Scallop Ashtray

Scallop Ashtray
by Sugoi Studio Denmark

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Scallop Ashtray

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Scallop Ashtray

This is an Open Edition
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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Scallop Ashtray

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Description

Handbuilt, white stoneware, glazed.

This piece can be used as decoration, or as an actual ashtray or container for other objects.

Charlotte Kølkjær, the ceramic artist behind Sugoi Studio, explores the beauty and indulgence of life through hyper-realistic sculptures in white stoneware. From ashtrays and half-empty plates to oyster shells, Kølkjær’s creations are symbols of decadence—the remnants of a night well-lived. In her hands, these “ugly leftovers” are polished, over-aestheticized, and perfected, challenging conventional beauty and celebrating moments of unapologetic indulgence. With a hint of self-irony, her work examines the millennial obsession with aestheticizing everyday life, from the curated chaos of “not-trying-too-hard” social media images to her fondness for seashells and vintage typography. Through meticulous detail and a touch of nostalgia, Kølkjær invites us to see these fragments as moments worth celebrating, polished, and perfected in their imperfection.

Food safe, holds water, can be washed with a soft sponge and dishwashing soap.

Dimensions LxWxH	12x10x1cm (5x4x0'')
Weight (kg)	0.1
Production Year	2025
Material	Ceramics, Glazed Ceramic, Stoneware
Discipline	Ceramics And Stoneware
Color	Gradient Of Pink
Design Class	Open Editions

About Sugoi Studio Visit Showroom →

Charlotte Kølkjær, the ceramic artist behind Sugoi Studio, explores the beauty and indulgence of life through hyper-realistic sculptures in white stoneware. From ashtrays and half-empty plates to oyster shells, Kølkjær's creations are symbols of decadence—the remnants of a night well-lived. In her hands, these “ugly leftovers” are polished, over-aestheticized, and perfected, challenging conventional beauty and celebrating moments of unapologetic indulgence. With a hint of self-irony, her work examines the millennial obsession with aestheticizing everyday life, from the curated chaos of “not-trying-too-hard” social media images to her fondness for seashells and vintage typography. Through meticulous detail and a touch of nostalgia, Kølkjær invites us to see these fragments as moments worth celebrating, polished, and perfected in their imperfection.