"Pigment" Sculpture

by Hanna Heino Finland

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Insured Delivery: 73
Est delivery: Oct 5th, 2021
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Dimension LxWxH (cm): 14x24x27
Unique piece Material : Ceramics
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Description

“Pigment” is an unique ceramic sculpture which is created by a Finnish ceramic artist and designer Hanna Heino.

The meaning behind the sculpture’s organic shapes and fascinating surface comes from the oceans, from minerals and corals which have been the inspiration for this work. The lively, soft-toned surface makes you fancy to touch it and feel the forms, like the rest of Hanna’s works do. Every one of her works is a unique piece of art and she wants to achieve harmonious beauty using charming structures and hazy shades.

The surface of this piece is NOT glazed. The piece is fired around 1000 celsius to achieve just the right tone of light blue. Because of the lower firing temperature, the piece is more fragile than the high-fired (1250 celsius) pieces are. The sculpture is carefully finished and signed by hand.

“This is my silent way to create beauty to this world.”

Additional information

Weight 5 kg
Dimensions 40 × 40 × 40 cm
Dimensions LxWxH (cm)

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About the designer


Hanna Heino

In my art I am emphasizing on sculptured ceramics to discover organic forms, hazy shades and fascinating structures. I wish that my pieces create harmonious beauty and good moods around them, a place and a moment where you can stop and breath. I also want to believe that even if every piece is a single, they form a larger entity. I’m using traditional, hand building techniques and a different kind of stoneware clay, which is a hard and durable material. I want that you can feel the real material and make you fancy to touch the surface. I love the feeling that I can hold on to my own freedom to create individual pieces and I want to highlight that each of these sculptured pieces are a unique piece of art. This is my way to create silent beauty to this world. www.hannaheino.com

Curated by

Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making. The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.