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Estimated production time: 2 - 4 weeks
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‘Of Movement and Material’ re-imagines the crafting process as a dance between the maker and their liquid counterpart. Each dance creates a voluminous glass form, a crystallized moment of heat, movement, and gravitational potential, capturing the body and the material at the moment when both collide and release one another. Each unique light work contains its own story of this interplay.
‘Of Movement and Material’ expands on Weber’s research on the human relationships that are born from craft practices and mastership by studying the human body’s very relation to the object itself during the making process. This project celebrates the launch of the first series of lights for the newly formed brand ANALOG, produced in Berlin’s first and only glass blowing studio. Weber joins his concept for ‘Of Movement and Material’ with the philosophy of ANALOG, which seeks to re-emphasise the relevance of the human quality within products.
Shape, weight and dimensions may differ from piece to piece.
Prices per pendant light. Standard canopies for 1, 3, 5, or 15 pendants are included in the price. A small surcharge may apply for custom requests.
Blown Glass, White Glass
2700K Warmwhite or 4000K Daylight
1, 3, 5, 15
‘Where lies the significance of craftsmanship today?’, ‘What is the meaning of the human relation to a material and its processing?’ or ‘What remains of a craft?’ are questions that guide my approach.
Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making.
The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.
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