Of Movement and Material - White

by Philipp Weber Germany

1.392 - 20.880 Incl.16% VAT
Insured Delivery: 120
Est delivery: Oct 21st, 2021
Shipping to :
Clear
-
+

Sold

Estimated production time: 2 - 4 weeks

Each variation may differt Dimension LxWxH (cm): 20x20x20
Unique Pieces Material : Blown Glass, White Glass
Buyers protection
  • Certificate of Authenticity A signed certificate from the maker is always included in the box.

  • Lowest price guaranteed Find a lower price from the seller, we'll match it.

  • Secure online transactions All personal information that you send to us is encrypted and cannot be viewed by others.

  • 100% insured global deliveries We arrange worldwide delivery, and every shipment no matter the price is fully insured against damages.

  • 14 days return policy In the rare event, you receive a piece that you are not fully satisfied with, you can return it within 14 days of receipt for a full refund except return shipping costs. Made-to-order items are not eligible for return.

Questions? Ask the maker.
Request customation Make an offer Chat with the maker

Message

DOWNLOAD CATALOG (PDF)

Description

‘Of Movement and Material’ re-imagines the crafting process as a dance between the maker and their liquid counterpart. Each dance creates a voluminous glass form, a crystallized moment of heat, movement, and gravitational potential, capturing the body and the material at the moment when both collide and release one another. Each unique light work contains its own story of this interplay.

‘Of Movement and Material’ expands on Weber’s research on the human relationships that are born from craft practices and mastership by studying the human body’s very relation to the object itself during the making process. This project celebrates the launch of the first series of lights for the newly formed brand ANALOG, produced in Berlin’s first and only glass blowing studio. Weber joins his concept for ‘Of Movement and Material’ with the philosophy of ANALOG, which seeks to re-emphasise the relevance of the human quality within products.

Shape, weight and dimensions may differ from piece to piece.

Prices per pendant light. Standard canopies for 1, 3, 5, or 15 pendants are included in the price. A small surcharge may apply for custom requests.

Additional information

Weight 6 kg
Dimensions 30 × 30 × 30 cm
Dimensions LxWxH (cm)

discipline

Glassblowing

Weight (kg)

Material

,

Production Year

Color

Number of Pendants

1, 3, 5, 15

Country

About the designer


Philipp Weber

‘Where lies the significance of craftsmanship today?’, ‘What is the meaning of the human relation to a material and its processing?’ or ‘What remains of a craft?’ are questions that guide my approach.
Philipp Weber (*1987 in Münster, Germany). In his work, he seeks to find emotional qualities within production processes. The mystery that lies in the craft of glass blowing or the alien work environment of a coal miner are topics which inspire him and feed his fascination. Weber believes that in an increasingly digitalized world the comprehension and appreciation for original relations of production processes are getting lost. By finding arcane values that reveal themselves in a new and different meaning he poses new prospects on craftsmanship or production process and their importance for our societies.

Curated by

Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making. The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.