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Movement Phase 3 - Black Sculptural Ceramic Vessel

Movement Phase 3 – Black Sculptural Ceramic Vessel
by melo clay United Kingdom (UK)

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Movement Phase 3 - Black Sculptural Ceramic Vessel

This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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Movement Phase 3 - Black Sculptural Ceramic Vessel

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Description

This handcrafted ceramic vase by England-based designer, melo clay, effectively captures the essence of raw clay responding to gravity. Made from black vulcan stoneware clay and inspired by the fluid dynamics of nature, it features a design reminiscent of soft clay, complete with subtle folds and bends. This piece achieves an organic yet minimalistic aesthetic, blending effortlessly with various decor styles.

Not watertight

Dimensions LxWxH	28x25x25cm (11x10x10'')
Weight (kg)	3.0
Production Year	2024
Material	Ceramics
Discipline	Ceramics And Stoneware
Color	Black Clay
Design Class	Unique Pieces

About melo clay Visit Showroom →

I make sculptural ceramic lamps and vessels that are inspired by the natural response of raw clay under the force of gravity. I bend, pull and stretch the material and I’m interested in capturing and retaining these shapes and the fluidity of the clay in a stone-like finished form. The dynamics of the folds and the bends make the form to appear natural and effortless (as if they were formed by elements). I start with simple shapes, cylinders and tubes rolled from slabs which I bend and hang over a suspended rod. While suspended I can then adjust and manipulate the form with a little help from gravity. I’m also inspired by the movement and distortions that occur in nature and the forms that are resulted from the elements. I find it fascinating to look at carved hills and wind-bent trees and to try and understand and visualize the process through which these structures were created. I’m also trying to incorporate the process of ‘making’ in my work, where the finished form gives a hint of how it was created and how I came to these shapes. Being trained as an architect, I’m drawn to bringing function to form. I like the fact that a lamp can be both a decorative element when the light is switched off and a functional item when it is on. The minimalist aesthetics and the functionality of my work make it easier for people to imagine them in their homes and as a designer it gives me satisfaction to see my lights well integrated in a space.