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Little Rock Vase_o.5

Little Rock Vase_o.5
by Ugly Things et al. United States (US)

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Little Rock Vase_o.5

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Little Rock Vase_o.5

This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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Description

This hand-built amphora-style vase is part of the Little Rock series, where natural textures meet playful form. Sculpted from cream-toned clay, its surface is embedded with contrasting bits of dark stoneware, evoking a terrain dotted with tiny geological fragments. The vase’s form is tactile and expressive, with twin circular ear-like protrusions that bring a touch of whimsy to its ancient silhouette.

Each piece in this series carries the imprint of the maker’s hands — irregular, textured, and grounded in the materiality of clay. Whether displayed as an object on its own or used functionally, this vase invites touch, curiosity, and a sense of place.

This piece is watertight, making it suitable for holding fresh flowers or standing alone as a sculptural object.

All pieces are handmade, and no two pieces are identical.

Dimensions LxWxH	13x11x24cm (5x4x9'')
Weight (kg)	0.5
Production Year	2025
Material	Ceramics, Glazed Ceramic, Stoneware
Discipline	Ceramics And Stoneware
Color	Beige, Cream White
Design Class	Unique Pieces

About Ugly Things et al. Visit Showroom →

Ugly Things et al. is a Los Angeles–based ceramic studio creating modern craft objects that merge ancient sensibilities with contemporary design. Founded by artist Zou Chen, the practice centers on hand-built vessels that draw inspiration from California’s geological landscapes—eroded cliffs, sediment layers, and shifting terrain. On her hikes through the wilderness, Zou forages for wild clay and local pigments, incorporating materials from the Santa Monica and San Gabriel Mountains into her work. These elements infuse each piece with a physical connection to the land—vessels shaped not only by hand but by time and earth. Every object is constructed slowly and intuitively, often featuring embedded stone forms, torn seams, and gestural surfaces that echo erosion, memory, and movement. These pieces function as both containers and contemplative sculptures, occupying space somewhere between the ceremonial and the everyday.