Hornillo / Out of the Cage Collection

by Gala Fernandez

607 incl. tax

1 in stock

Dimension LxWxH (cm): 25x25x20
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Description

Out of the Cage Collection:
Liquid glass is blown into various shapes and sizes using birdcages as the “mold.”
Once home to colorful birds, the cages transcend their existence as simple containers with the addition of new life.
They now hold vibrant blown glass just as they once held their feathered prisoners.
These objects are a result of the interaction of hot fluid glass with the wiry molds, which serves to question common perceptions of confinement versus refuge; glass surfaces sit both inside and outside of what might be considered a devious trap or as a comforting shelter, marked with memories of a former life and function.
“Out of the Cage” subtly, yet with enormous imagination, expresses the inherent dichotomy between protection and custody.

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Additional information

Weight 1 kg
Dimensions 30 × 30 × 30 cm
discipline

Glassblowing

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About the designer


Gala Fernandez

Born in Madrid in 1969, designer Gala Fernández studied art and design at Facultad de Bellas Artes de la Universidad Complutense de Madrid, graduating in 1992 with a Bachelor’s degree. She continued her studies in industrial design at the Istituto Europeo di Design in Milan until 1994. In 1995, Fernández cofounded a Madrid studio called Assembla Design with Riccardo Marzullo and worked together with him at the brand new IED Madrid until year 2000. In 2000, she moved to Treviso, Italy to work with Jaime Hayón at the Benetton Group’s Fabrica studio. Together, they oversaw the development of multiple interior and product design projects in the studio until 2004. In 2005, Fernández moved to London and established her eponymous design studio. Fernández’s multidisciplinary work ranges from art and design to curating, as well as interior and product design, graphic design, and publishing. In 2006, she returned to Madrid and began an ongoing collaboration with artist and designer Oscar Mariné. In 2008, she became studio manager for El Ultimo Grito in Berlin, but kept a foot in Madrid, where she returned to live the subsequent couple of years. In 2011, she moved to Lessac, France to direct the summer courses at the esteemed Domaine de Boisbuchet. From 2012 to 2015, Fernández divided her time between Mexico City—where she launched a multidisciplinary creative studio called Piopio Design Labs, in partnership with Berta Roda—and Madrid. In 2013, Fernández helped establish Abierto Mexicano de Diseño (the Mexico City Design Festival); she acted as a partner and consultant for the project until 2015. In 2015, Fernández relocated to Marbella in Andalussia, Spain. She continues to work with Berta Roda as Piopio Design Labs. In 2016, the pair launched an art and design gallery called Bergman Rd. Gallery. In 2016, Fernández also collaborated with CuldeSac Editions, a project with Valencia-based design and communications studio Culdesac. Currently based in Milan / Marbella. Fernández has exhibited her work in several galleries and museums across the globe, including, but not limited to: The Buccaneer’s Booty – Gala Fernández Recent Works, curated by Maria Cristina Didero at Bergman Rd. Gallery (2016); Lámparas de la Real Fábrica de Cristales s.XVIII – s. XXI, an exhibition featuring the lamp collection One Off Worlds and the chandelier Hail! Bright Cecilia, made in collaboration with renown Spanish glass manufactory La Real Fábrica de Cristales de La Granja and presented in their 18th-century Real Sitio de San Ildefonso de la Granja factory and museum (2016); Not Straight Worlds, a join exhibition with David Trullo at La Galería Factoría in Madrid (2015); This is not a Duet, curated by Maria Cristina Didero, a join exhibition with Sung Jang, featuring Caro Ettore, a collection of small stone sculptures produced in Mexico, at Chamber Gallery in New York (2015); and Out of the Cage, presented by Marion Friedmann Gallery during the London Design Festival (2014). The designer has also taught and lectured at numerous institutions, including the Design School of Universidad Anáhuac in Mexico City; the Instituto Europeo di Design in Madrid; Faculdade de Arquitectura da Universidade de Lisboa (FAUTL) in Lisbon; NAi Nederland Architectuurinstituut in Rotterdam; and both the Royal College of Art and Goldsmiths in London.

Curated by

Presenting “PROXIMITY”, a collection created in collaboration with Southern Sweden Design Days showcasing a selection of new work from ten designers and studios. As a whole, the collection contemplates the notion of proximity, interconnection, and belonging. Whether through contemporary references to traditional crafts techniques; the use of locally sourced materials such as wool, lichen, steel, and wood; or playful visualisations of the notion itself, the selected pieces illustrate the importance of closeness, interconnection, and kinship in uncertain times. Featuring pieces by Andrea Santivanez, Andréason & Leibel, Ebba Lindgren, Förstberg Ling, Jóna Berglind Stefánsdóttir, Lab La Bla, Lisa Darland, Louise Hederström, Moa Lönn, and Studio M. Organised by Form/Design Center in Malmö, Sweden, Southern Sweden Design Days is an annual event currently in its second edition, which highlights sustainability, collaboration, development, and innovation in design. This year’s theme, as described by the event organisers, “[reflects] on the notion of being close – the connection between people, cities, countries, species, professions, etc”. The physical exhibition of “PROXIMITY” will take place at Lokstallarna, Södra Bulltoftavägen 51, 212 22 Malmö from 19 - 22 May 2022.