Growing Up, I Never Wanted To Be An Office Chair
by thisisbyron United Kingdom (UK)

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Description

“Growing up, I never wanted to be an office chair” is a functional artwork that reimagines the concept of seating with a blend of whimsy and sustainability. This office chair stands as a rebellion against the mundanity of traditional office furniture, infusing a playful and spirited perspective into everyday spaces. Its design aims to awaken the inherent silliness and joy within its users, inviting them to rediscover a childlike sense of fun.

Crafted in London, this unique chair is composed of materials conventionally considered waste, including timber and fabric off-cuts. By repurposing these materials, the artwork challenges pre-existing notions about the value of waste streams, promoting a newfound appreciation and perspective on sustainability.

The underlying motivation of this piece is twofold. On one hand, it seeks to instill a sense of playfulness and light-heartedness in its users. On the other, it carries a profound message about the responsibility of designers and makers towards the planet. This office chair is not just a functional item; it’s a statement on creativity, responsibility, and the transformative power of design in redefining waste as a valuable resource.

Due to the lamination of timber offcuts, each piece is truly unique and would not be possible to replicate two that are the same.
Variations in the upholstery fabric may vary.

Dimensions LxWxH
Weight (kg)

50

Production Year

Material

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Color

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Design Class

About thisisbyron Visit Showroom →

Byron, based in London, UK, is an artist for whom the dual processes of designing and crafting serve as his most authentic means of self-expression. His artistic practice is deeply rooted in a conscious recognition of his responsibility as a creator, focusing on minimizing his environmental impact through thoughtful decision-making in his creative endeavors. Byron's work reflects a profound understanding of the role objects and furniture play in our lives. He sees them as not just extensions of our personalities but also as material entities frequently dismissed as waste. His approach to design and creation is centered around forging meaningful connections between people and the objects that populate their daily lives. He emphasizes the significance of these relationships, believing that they greatly influence how we appreciate and interact with our surroundings. Byron's artistic journey is marked by a commitment to redefining the narrative around objects and furniture, highlighting their potential to enhance our lives and our environment in a sustainable and emotionally impactful way.
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