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There is a moment of the respected atmosphere when I enter the room, building, or to the street. I’m often amazed by spatial experience through life in cities. I started this project to reflect courtesy from an architectural perspective into a domestic environment. The practice of architects is not far from what I consider objects in spaces. Significant research is not only a geological, but also a behavioral approach. I wanted to switch on considerable research in the domestic environment. It is essential to take into consideration the materials and historical perspective.
From that start, I chose a fundamental substance in architecture, marble, and resembled essential building elements, the arch. It is the object of blending experience between architecture and the living room. I interpret objects into a metaphor that brings freedom to the viewer’s imagination.
Photographs Dahahm Choi
Sanghyeok Lee is a designer and artist whose practice is based on his interest in the rational realization of an immaterial idea with the attitude that suggests a new perspective on an inanimate object. His work seeks to manifest materials’ true nature and their harmonious forms while redefining the meaning and function of technology in production. Also, Lee recontextualizes the relationship between object and space by using architecture and city, as metaphors of the two; at the same time, creates an atmosphere, which dynamically reverses or mixes the interior and exterior of space, and a new spatial experience. He lives and works in Berlin, Germany.
Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making.
The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.
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