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By working in the intersection of design, art, craftsmanship and production, the designer explores new creative processes. Ragna Ragnarsdóttir is constantly looking for innovative ways to mix materials with the mission to create interactivity between the product and the user.
Coral Vase is flower vase build up by layering and color resin in a specific way. Take a closer look and you may find a meaning, landscape or significance in the colorful graphic. Each piece is unique and handmade by the designer.
Ceramics and Stoneware
United States (US)
Ragna Ragnarsdottir (born 1988 in Iceland) graduated with honors from Ensci Les Atelier in 2016. Working around the intersection of design, art, craftsmanship, and production she explores a creative process that enables the design of objects more intuitively. Instead of designing objects from existing industrial or craft techniques, she searches for new processes where the design is a direct result of the production. Always working with accessible materials she takes care of mixing opposite mediums, using materials in untypical ways or making them take an opposite look where the result is a particular product or installation. With her experimental approaches, she hopes to create a positive interaction between the user and the product.
Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making.
The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.
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