by Hoi Kaloi Greece

1.850 - 1.850 Incl.24% VAT
Insured Delivery: 149
Est delivery: Jan 20th, 2022
Shipping to :

Made to order

Estimated production time: 6 weeks

Dimension LxWxH (cm): 31x5x20
Open Editions Material : Black Marble, Chios Marble, Ioannina Marble, Travertine, White Marble
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  • 14 days return policy In the rare event, you receive a piece that you are not fully satisfied with, you can return it within 14 days of receipt for a full refund except return shipping costs. Made-to-order items are not eligible for return.

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‘Conduit’ is a tabletop lamp, CNC-milled in a solid block of marble.
Featuring a dimmable, tubular LED bulb.

The lamp can be ordered in the following pre-figured options:
Deep brown marble with brown fabric cable.
Shiny white marble with white fabric cable.
Beige-grey marble with light beige fabric cable.
Travertino marble with beige fabric cable.

Please contact us if you wish to order a specific colour combination of your choice.

Additional information

Weight 7 kg
Dimensions 36 × 10 × 25 cm
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About the designer

Hoi Kaloi

HoiKaloi was founded by designer Thanos Karampatsos during his residency at the Shigaraki Ceramic Cultural Park in Shiga, Japan, in 2018. Studio HoiKaloi is a passionate design endeavour that counterbalances an unforced elegance against a hint of subversion, while preserving intimacy and human connection.

Curated by

The body of work in this collection consists of pieces by Greek designers of the mainland and the diaspora, or international professionals who live and work in Greece. As a common theme we tackle the elusive notion of “Greekness” and how this transpires through the work of seemingly diverse and distinct individuals. In our attempt to define “Greekness”, we aim to raise questions about how this plays out in the work presented. How do Greek designers view their identity? Is it through their effort to decipher their heavy heritage? Is form important in order to achieve a predisposed classic elegance, or is a philosophical disposition towards shape more poignant? Could it be simply a resourcefulness and DIY ethic to make up for the absence of design infrastructure? How do Greek designers based abroad deal with their background? Could it be that they simply ignore it in order to finally free themselves? Is there a certain amount of innovation necessary in order to channel it into the new environment? Finally, how do foreign designers see their work influenced by their Greek surroundings? Is it the reference through the use of noble materials such as marble or the abundance of natural light that makes their work unquestionably Greek? Or could it be something else they were seeking when they decided to move here, something abstract like humour or drama? Could their arrival finally mean a departure from Greek heritage’s self-reference? The pieces that we present might seem ill-matched, but they share an important core element. They are confident in their narrative of a personal story of identity, that is either at peace or against the Greek archetype. Through this communication, they all describe a culturally mature and vibrant scene that is finally extroverted and coming of age.