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Chainmail Sculptural Chair, Nickel Plated Steel Finish, Hand Linked Mesh

Chainmail Sculptural Chair, Nickel Plated Steel Finish, Hand Linked Mesh
by Panorammma Atelier Mexico

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€3.600 - €3.900

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Chainmail Sculptural Chair, Nickel Plated Steel Finish, Hand Linked Mesh

This is a Limited Edition of 35
How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
Can be customized upon request
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Chainmail Sculptural Chair, Nickel Plated Steel Finish, Hand Linked Mesh

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Description

The “Chainmail Chair” by Panorammma Atelier is a new take on William Katavolos 1952’s “T-Chair”. Its seat is made up of hand-linked metal rings coming together to form a strong and flexible mesh that drapes down its T structure.

The Chainmail Chair’s design supports Felix Guattari’s concept of “a body without organs”, a body that is open to different forms of expression: to pain, to pleasure, to pleasure in pain, a body concentrated on its primal instincts. It expresses and questions our wish for constraint.

Not intended for rough use. Disassembled option for quotation

Variations	Chainmail Chair, Chainmail Chair Disassemblable
Dimensions LxWxH	60x60x120cm (24x24x47'')
Weight (kg)	10
Production Year	2021
Material	Stainless Steel
Discipline	Metalwork
Color	Metallic
Design Class	Limited Editions
Number Of Pieces Created	35

About Panorammma Atelier Visit Showroom →

PANORAMMMA’S POETICS OSCILLATE BETWEEN DISCIPLINES, WHILE FOCUSING ON A CRUCIAL POINT OF CONTEMPORARY SENSIBILITY: THE EXPANDING PATHOLOGY OF THE CONCRETE, THE ALIENATION OF EVERYDAY LIFE AND THE SPACE THAT ABSTRACTION OCCUPIES IN THE SOCIAL SPHERE. PANORAMMMA’S DESIGNS DELVE INTO THESE THEMES BY EXPLORING PAST VISIONS OF THE FUTURE AND CREATING THE MYTH OF MEMORY. BUILDING ON OUR PAST AND PERSONAL EXPERIENCES THROUGH NEW VISUAL NARRATIVES. PANORAMMMA DOES NOT SEEK TO CREATE OBJECTS THAT EXIST APART FROM EVERYDAY EXPERIENCE AS MUSEUM PIECES, BUT OBJECTS TO BE LIVED AND USED. THESE OBJECTS REQUIRE A CCOMMITMENT ON THE PART OF THE VIEWER SO THAT AS A USER THEY FACILITATE THE FULFILMENT OF THEIR OBJECTIVE TASKS. ACTIVATING THEM BY S I T TING ON THEM, EATING WITH THEM, DRINKING FROM THEM, TURNING THEM ON, TURNING THEM OFF, CARESSING THEM, SLEEPING WITH THEM, WAKING UP TO THEM. ALLOWING THESE OBJECTS TO INTIMATELY AFFECT OUR BEHAVIOURS AND TO BE AFFECTED BY THEM. PANORAMMMA PURSUES THE CREATION OF OBJECTS THAT GENERATE FISSURES FROM WFROM WHICH FANTASY SPILLS INTO OUR REALITY AND INFORMS AN IMAGINATIVE PLAY; A SCENOGRAPHY FROM PARALLEL FICTION. PSEUDO PROPS. PANORAMMMA CREATES ACTORS THROUGH WHOSE PRESENCE AND PERFORMATIVE ABILITY CAN CREATE OF OUR DOMESTIC SPACES UNUSUAL SCENARIOS. TESTIMONIES OF A REFUSAL TO LIVE ORDINARILY. MAIKA PALAZUELOS;(DESIGNER AND DIRECTOR) INITIATED PANORAMMMA DURING THE CONFINEMENT WITH THE INTENTION OF CREATING A PERMEABLE AND OPEN PLATFORM FOR DESIGN EXPLORATION.