“Bucket Spilling the Sky” Lamp
by Sander Wassink · Eindhoven, Netherlands

80x40x40cm (31x16x16")AcrylicSteel
It is a long honoured and recurring tradition of artistic practice to salvage and repurpose discarded and common use objects. For… Read more
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Delivered between22 – 29 Nov
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  • Can be customized upon request
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Shipping and delivery
Ships fromEindhoven, Netherlands
Delivery toyour location
Estimated delivery dateNovember 22 - November 29
Packaging100x50x60cm, 15kg
  • Tracked from studio to doorstepYou receive a tracking link as soon as the piece leaves the studio, and can follow it through every carrier hand-off until it reaches your door.
  • 100% insured, door to doorEvery shipment is fully insured from pickup to delivery. If anything happens in transit, you are covered for the full purchase price.
  • All made to order purchases are finalThis piece is produced specifically for you once you order, so it cannot be returned or exchanged.
  • Duties and taxes may applyWe declare all pieces as original duty-free works, however, your local customs office makes the final decision. Learn more
Specifications
Dimensions LxWxH
Piece Weight (kg)

8

Material

,

Production Year

2019

Color

FAQ
What is collectible design lighting, and how is it different from designer lighting?

Collectible design means pieces made in small numbers — unique works, limited editions and small-batch production — usually by the studio that designed them, and often by hand. "Designer lighting" in the wider market generally means a recognized name applied to industrial production. The practical differences are that no two collectible pieces are exactly alike, that quantities are finite, and that the maker's material choices are visible in the object rather than optimized out of it.

What are the three types of lighting?

Ambient, task and accent. Ambient light sets the overall level of a room; task light serves a specific activity and is brighter and directed; accent light picks out an object, a texture or a wall and is what makes a room look intentional. A well-lit room uses all three from separate fixtures, rather than asking one bright source to do everything.

What is ambient light?

The general, diffused light that fills a space and lets you move around it comfortably — daylight during the day, and after dark a ceiling fixture, an uplight, or several lamps working together. It sets the baseline; task and accent light are layered on top. Ambient light should be the dimmest layer you can comfortably live with, not the brightest.

How many light sources does a room need?

More than most rooms have. Five to seven separate sources in a living room, three or four in a bedroom, and at least two in a hallway. The number matters less than the distribution: light at several heights, in several corners, on dimmers, so the room can be bright at breakfast and low in the evening without rearranging anything.

How many lumens do I need?

Think in lumens rather than watts, since LED has severed the link between the two. Roughly: 150–450 lumens for an accent or bedside lamp, 400–800 for reading or task light, and 800–1,500 for a ceiling fixture serving as a room's main light. Kitchens and open-plan spaces need more, spread across several fixtures rather than concentrated in one.

Which color temperature should I choose?

2700 K for most domestic rooms — warm, comfortable and flattering to skin, timber, brick and textiles. Go warmer, 2200–2400 K, for bedrooms and late evening. Go cooler, 3000–4000 K, only where accuracy matters: kitchens, studios, workshops, make-up mirrors. The most important rule is consistency, because two different temperatures in one room read as a mistake even when each is correct on its own.

Are all light fixtures dimmable?

No, and this is worth checking before buying. Fixtures with standard sockets are usually dimmable provided the bulb and the dimmer are compatible — many LED bulbs are not. Integrated LED pieces dim only where the designer specified it, and may need a particular driver. Where a piece has a simple on/off switch, an inline or plug-in dimmer often solves it.

What bulbs do your pieces use?

Most take standard screw or bayonet sockets, commonly E14 and E27 in Europe, which means you choose the warmth, brightness and appearance yourself and can re-lamp indefinitely. Some designs use integrated LED modules for a slimmer form; these cannot be re-lamped, so the module's rated life is effectively the life of the fixture. Product pages state which, and we can confirm with the studio if it is unclear.

How long do LED bulbs last, and do they get hot?

Quality LED bulbs are typically rated between 15,000 and 50,000 hours, which is years of normal domestic use, though performance degrades gradually rather than failing outright. They run far cooler than incandescent or halogen bulbs, which is precisely why they can be used inside paper, textile, wood and resin shades where a hot bulb would be a hazard — but they are not cold, and the driver electronics do warm up.

Do warm lights attract fewer insects?

Yes, noticeably. Insects respond most strongly to short-wavelength light, so cool white and blue-heavy sources attract far more than warm, amber-leaning ones. For terraces, porches and open windows in summer, 2200–2700 K makes a real difference — a rare case where the aesthetically better choice is also the practical one.

What is the difference between a lamp and a light fixture?

In everyday use, a lamp is portable and plugs in — table, floor and cordless pieces — while a light fixture is mounted to the building and usually hardwired, including ceiling and wall pieces. Confusingly, "lamp" also means the bulb itself in trade usage. On this site we use lamp for the object, and organize everything by where it goes rather than by how it is powered.

Where should I start if I don't know which format I need?

Start with the constraint rather than the look. If the ceiling is under about 2.4 m, that points to flush mounts. If there is no ceiling point where light is needed, floor lamps — arc pieces especially — or plug-in wall lighting. If there is no socket at all, cordless. If surface space is scarce, wall lamps. Once the constraint has chosen the format, the lamps section covers sizing, shades and materials in detail.

Which pieces need an electrician?

Anything hardwired: ceiling fixtures of every kind, and most wall lights. Table lamps, floor lamps, cordless pieces and any design supplied with a plug need nothing but a socket. Weight matters for ceiling installations in particular, since these are stoneware, glass, brass and stone objects rather than pressed steel — product pages list weight and dimensions.

Are pieces made to order, and how long do they take?

Most are. Because these are small studios, many pieces are produced after you order, with lead times shown on each product page; others are held in stock and ship quickly. Unique pieces exist in a single example, so once sold they are not repeated. If you have a fixed deadline — a renovation, an opening, a delivery date — tell us before ordering and we will confirm it with the maker.

Do you ship internationally, and will the piece work in my country?

Yes, worldwide, directly from the designers' studios. Because of that, plug type and voltage follow the maker's location, so check the listing and ask us if you need a specific plug or a voltage confirmation. Pieces using standard sockets are straightforward to adapt; integrated-LED designs are worth confirming before ordering to a different electrical region.

Can I commission a piece, or order several matching ones?

Frequently, yes. Many studios adapt dimensions, finishes, drop lengths and configurations, and can produce sets for a dining room, a hotel or a restaurant. Order multiples in a single batch so glazes, glass color and grain match across the pieces. Architects and specifiers should use the trade programme; private clients can brief the curation team directly.

Do you sell bulbs, shades, lamp parts, string lights or ceiling fans?

No. Bulbs, replacement shades, rewiring kits, recessed and track lighting, LED strip, string and festoon lights, and ceiling fans are hardware and consumables rather than design objects, and are better bought from an electrical supplier. Everything in this collection is made to be looked at as well as switched on.

Description

It is a long honoured and recurring tradition of artistic practice to salvage and repurpose discarded and common use objects. For Sander Wassink it is an attempt to infuse value and appreciation for the humble and mundane things in life. The lamp Bucket Spilling the Sky developed out of a photographic project in which mirrors were cut to fit into daily, discarded objects. The objects were then photographed outside on sunny days, to look as if they had stolen a patch of sky. Later some of these objects were transformed into lights projecting drawings of the sky. By bringing the sky into a room we are letting in a tiny bit of the outside world, playing with the norms that regulate inside and outside, natural or artificial. A spilled bucket is a nuisance, a small accident that disrupts efficiency and order and perhaps by allowing irreverent objects in our home we become more accepting of a little wildness.

Sander Wassink, whose installation “Please Take Off Your Shoes” was presented at his spacious studio, discovered drawing as a liberating force. After experiencing some difficulties during projects, he turned to drawing to give him the freedom that would satisfy him and would also take off any pressure that he was feeling, bogged down by the practicalities of a design project. The work he showed consisted of some existing and new work brought to life by this newfound liberation. He has also started implementing this methodology in his interior design projects.

A cornerstone of the exhibition was a large carpet created from the leftover pieces sourced from Dutch company Desso Tarkett. He wanted the carpet to slow people down and take a moment to have a conversation or just be willing to embark on a new experience. This choice coincides with Wassink’s way of working with found materials, waste or leftover products, and by combining these, creating something new.

Dimensions LxWxH
Piece Weight (kg)

8

Material

,

Production Year

2019

Color

About Sander Wassink Visit Showroom →

Sander Wassink is a Dutch artist and designer who encourages us to reconsider our ideas on beauty, aesthetic value and status. How can we reconsider what is important and what is desirable to include notions of history, memory and the preservation of a past which is slipping away. Amid new construction, new production, and constant proliferation of new forms and facades, Wassink turns his attention to the discarded, the abandoned, the left over and attempts to reimagine what can be done with the already partially formed. What new possibilities exist in the surfaces and materials that are half-built or half-destroyed. Whether his object is the partly demolished facade of an abandoned building, or the everyday detritus from our overproductive culture, Wassink asks what new forms and new visions of beauty already exist to be discovered and appreciated. His creative practice sees him heavily engaging in product deconstruction, harnessing the ‘raw material’ to develop objects with new meaning.Wassink's practice evolves organically, opposing the rigid construction of modern architecture, city planning and design. His work tends more towards the shifting, the ephemeral and the momentary. His process tries to take into account how our interactions in space and with objects have specific needs in specific moments. His design projects attempt to reflect the mutating shape of use, value and inhabitation, as it is evidence of human activity. These shifting constructions, which Wassink refers to as “self-perpetuating spaces” take their inspiration from organically developed communities and forms, appearing more rhizomatic in nature than firmly designed and are often considered to be disorganized or chaotic. These more reactively developed forms are meant to reflect the blurred boundaries between architecture and object, inside and outside, public and private.
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Sander Wassink
Photo Sander Wassink
· Eindhoven, Netherlands
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