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    • Brass Incense Holders
    by Victoria Dabdoub Jordan

    €69 incl. tax
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    • This is an Open Edition
      Each edition may differ
      How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
    • Can be customized upon request
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    Description

    This collection of five incense holders by Victoria Daboub adopts organic shapes, resembling creatures emerging from the sea or out of a video game. Together, they exude a familial resemblance and evoke a sense of kinship. Their compact size, akin to that of a hand, amplifies their unconventional charm, adding an element of whimsy and playfulness. Their fluid form suggests a frozen movement, hinting at narratives of underwater exploration or virtual adventures.

    These incense holders, produced in Amman, were created in close collaboration with local workshops. They’ve been a canvas for me and the artisans to experiment with different textures and colors, allowing for several rounds of experimentation. Each holder is more than just an object; it represents hours of discussions, trials, and the pursuit of perfection.

    Gently wash with warm water and mild soap and dry with a soft cloth. These pieces will tarnish over time because they do not have a finish.

    Dimensions LxWxH
    Variations

    Holder 1, Holder 2, Holder 3, Holder 4, Holder 5
    Weight (kg)

    0.5
    Production Year

    Material

    Discipline

    Color

    Design Class

    About Victoria Dabdoub Visit Showroom →

    I am an object-maker and cultural manager. I grew up in Bethlehem, Palestine and I currently live in Amman, Jordan. I hold a master’s degree in architecture from the Ecole Nationale Supérieure d’Architecture Paris Val-de-Seine. Over the past decade, I worked with many organizations and partners in setting up and running a large portfolio of projects within the cultural and creative industries such as residency management, curation, craft product development, and training and mentorship in product design. I am interested in actively developing projects rooted in communities, prioritizing networks of artisans, designers, and creatives in general working together, and contributing to the creation of bold and meaningful work from our region.
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