This work presents a profound meditation on geological time and the subtle beauty of stratified landscapes. The painting is characterized by its distinct horizontal banding, which expertly evokes the layered composition of natural terrain or sedimentary rock formations.
The composition unfolds in a series of horizontal bands, each revealing unique textural nuances and chromatic variations. The uppermost section features a darker, muted blue-grey tone, suggestive of a distant sky, deep water, or a dense mineral layer. Below this, the palette transitions into a rich array of earthy browns, sandy beiges, and subtle ochres. These bands display varying degrees of texture, from smoother, almost polished surfaces to areas with visible granular qualities, gentle undulations, and delicate, hairline cracks. These textural shifts contribute significantly to the piece’s authenticity and depth, mimicking the natural processes of deposition, compression, and erosion. The visible imperfections and organic lines within the layers enhance the sense of authenticity and raw beauty.
Stylistically, this painting firmly aligns with Material Abstraction and Earth Art, showcasing a deep connection to natural elements and geological processes. It also shares characteristics with Minimalism in its use of a limited color palette and focus on elemental forms. The work is not a literal depiction but an evocative interpretation of the enduring power and intricate beauty found in the earth’s crust. It encourages contemplation on themes of time, transformation, and the timeless patterns of nature.
Materials: clay, natural pigments and cellulose, coated with linseed oil. on a base of pressed cellulose fibers and plywood.
| Dimensions LxWxH | 60x120x2cm (24x47x1'') |
|---|---|
| Piece Weight (kg) | 8 |
| Production Year | |
| Material | Bio Pigments, Earthenware, Natural Fibers, Natural Stone, Sand |
| Discipline | |
| Color | |
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