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Super Superficial - Lounge Chair

Super Superficial – Lounge Chair
by Laura Kjær Studio Denmark

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This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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Description

Super Superficial by Laura Kjær Studio bridges the gap between furniture design and art. With its bold colors and ornamentation, the chair commands attention and invites its users to do the same. By combining traditional marquetry techniques with modern laser-cutting technology, Laura Kjær explores the potential of surfaces as tools for empowerment and transformation.
As highlighted by the Financial Times, Laura is part of a new generation of Swedish furniture designers who challenge conventions through experimental creations. Her Super Superficial chair, showcased at Ung Svensk Form, draws inspiration from the vibrant energy of 1990s rave culture and the rich tradition of folk art. The result is a playful, maximalist design that transforms the simple act of sitting into an immersive adventure.
The chair earned Laura Kjær Kvadrat’s Scholarship, which led to her solo exhibition at Kvadrat’s Stockholm showroom—a testament to her visionary craftsmanship.

Dimensions LxWxH	68x62x83cm (27x24x33'')
Weight (kg)	60
Production Year	2022
Material	Birch Wood, MDF, Pigmented Linseed Oil
Discipline	Wood & Cabinetmaking
Color	Multi Colored
Design Class	Unique Pieces

About Laura Kjær Studio Visit Showroom →

I’m Laura Kjær, the founder and creative force behind Laura Kjær Studio, a one-woman design studio based in Aarhus, Denmark. With a BA in Interior and Furniture Design from KHIO in Norway and an MA in Product Design from Konstfack in Sweden, I’ve dedicated my practice to exploring the emotional power of colour, texture, and surface in design. To me, surfaces are far more than superficial—they reveal hidden depths, tell stories, and evoke a wide range of emotions. I strive to create furniture that is both functional and aesthetically enriching, blending a commitment to circularity with local craftsmanship. My designs challenge traditional norms by celebrating ornamentation as a meaningful element of design—one that connects people to the spaces they inhabit.