"Rebirth 3" Necklace

by Jelizaveta Suska Latvia

1.089 Incl.21% VAT

1 in stock

Insured Delivery: 90
Est delivery: Feb 1st, 2022
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Dimension LxWxH (cm): 55x11x2
Material : amber fibre, Baltic amber, Gold, red gold
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Amber is a fossil from around 44 million years ago; it is well known with its history and myths and was also widely used during Soviet Union. I have seen it so many times polished and placed in metal frames. My great-grandmother used to have plenty of this kind of jewellery.

Repeated use of a similar approach to the material creates stereotypes. Amber is usually valued by its size, color, and inclusions. I aim to destroy this familiar perception and its accepted value by sewing, dyeing, and ignoring its inclusions; stepping away from what I have seen so many times before.

I use 14 K red gold whose, already obsolete, name is Russian gold. In contrast to that, I place it together with an amber cord made from amber fiber that was developed around ten years ago in Riga Technical University. I either spin or weave the cords by hand, dyeing it afterwards.

Additional information

Weight 0.5 kg
Dimensions 40 × 20 × 10 cm
Dimensions LxWxH (cm)

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About the designer

Jelizaveta Suska

Liza (short for Jelizaveta Suska) was born in Latvia (1989), where she completed her Bachelor degree education in Art Academy of Latvia as a metal designer. At the age of 24 she moved to Gothenburg in Sweden for studying and permanent living. In 2015 she graduated from Academy of Design and Crafts (HDK) at University of Gothenburg. She also has been educated in Germany and Japan. In 2016 she received Amberif: Amber prize and Dr. Herbert Hofmann Prize at Schmuck. In 2018 she was one of the finalists of Art Jewellery Forum and Mari Funaki Awards as an emerging artist. Her works are in Stockholm National Museum of Art and Design, RIAN Design museum in Falkenberg, gallery Platina, gallery Four, gallery Beyond, gallery Alice Floriano and several private collections. Website: www.jelizavetasuska.com

Curated by

The body of work in this collection consists of pieces by Greek designers of the mainland and the diaspora, or international professionals who live and work in Greece. As a common theme we tackle the elusive notion of “Greekness” and how this transpires through the work of seemingly diverse and distinct individuals. In our attempt to define “Greekness”, we aim to raise questions about how this plays out in the work presented. How do Greek designers view their identity? Is it through their effort to decipher their heavy heritage? Is form important in order to achieve a predisposed classic elegance, or is a philosophical disposition towards shape more poignant? Could it be simply a resourcefulness and DIY ethic to make up for the absence of design infrastructure? How do Greek designers based abroad deal with their background? Could it be that they simply ignore it in order to finally free themselves? Is there a certain amount of innovation necessary in order to channel it into the new environment? Finally, how do foreign designers see their work influenced by their Greek surroundings? Is it the reference through the use of noble materials such as marble or the abundance of natural light that makes their work unquestionably Greek? Or could it be something else they were seeking when they decided to move here, something abstract like humour or drama? Could their arrival finally mean a departure from Greek heritage’s self-reference? The pieces that we present might seem ill-matched, but they share an important core element. They are confident in their narrative of a personal story of identity, that is either at peace or against the Greek archetype. Through this communication, they all describe a culturally mature and vibrant scene that is finally extroverted and coming of age.