by Ýr Jóhannsdóttir Iceland

1.100 Incl.0% TAX


Dimension LxWxH (cm): 150x140x-18
Unique piece Material : Icelandic wool, Mixed yarn
Buyers protection
  • Certificate of Authenticity A signed certificate from the maker is always included in the box.

  • Lowest price guaranteed Find a lower price from the seller, we'll match it.

  • Secure online transactions All personal information that you send to us is encrypted and cannot be viewed by others.

  • 100% insured global deliveries We arrange worldwide delivery, and every shipment no matter the price is fully insured against damages.

  • 14 days return policy In the rare event, you receive a piece that you are not fully satisfied with, you can return it within 14 days of receipt for a full refund except return shipping costs. Made-to-order items are not eligible for return.

Questions? Ask the maker.
Request customation Make an offer Chat with the maker




“Op.3” is part of the collection “I would not do something like that” made by Ýrúrarí in 2019. The collection consisted of traditional sweaters dismantled from their original pattern and form.

“Op.3” was originally a traditional Lopapeysa (Icelandic wool sweater), but has now taken on a new more open and abstract form. The holes are knitted in various colors, opening up the closed knitted sweater, allowing the sheep colored wool to curl down free.

The sweater is all knitted by hand.

Additional information

Weight 1.2 kg
Dimensions 30 × 30 × 14 cm
Dimensions LxWxH (cm)

Weight (kg)



Production Year



About the designer

Ýr Jóhannsdóttir

The artist name Ýrúrarí was created in 2012 by Ýr Jóhannsdóttir.The work of Ýrúrarí is mostly done by knitting and working with the possibilities of new visual elements knit can create in spaces and on the human body in a way of illustrating the everyday three dimensional space. Ýr’s creations are on the wide spectrum from hand knitting figurative fun pieces on old jumpers to machine knitting abstract and complex mathematical textiles, working with the technique of weaving, OP art and making dimensions meet on the surface of knitted fabric.

Curated by

Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making. The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.