View All Designers
Designer
Viewing 1 - 4 of 4 members
No Pieces in the cart.
1 in stock
Estimated production time: 2 - 3 weeks
DOWNLOAD CATALOG (PDF)
DOWNLOAD TIER SHEET
“Hoof 3” is a unisex headwear model created as a part of a 3-piece headwear collection, “Hello ODD”, in 2018. The collection focuses on recognisable headwear shapes that accentuate authority – bringing them into the everyday world to be worn and empower the wearer.
The headwear piece is designed to be worn in different positions: back to front, tilted to the side, or any other position found suitable. The block of this headwear model is hand-carved, the material is black rabbit fur felt and lining viscose gross-grain ribbon. It is suitable for head circumference 56-59.
Size customisation available.
23x21x12
0.1
rabbit fur felt, Viscose
2018
Black
Kadi Adrikorn is an Estonian fashion designer, mainly creating headwear and wearable items under the name Adrikorn Artefacts. Her focus is to create designs that are noticeable, practical, and give the wearer a different presence. She has observed that headwear is a powerful item that can affect the wearer by changing their body posture and overall emotional and psychological state. By that, influencing also others around, rising curiosity and giving attention and mystification. She uses participatory design methods like cultural probes as a design research tool, to collect data and inform her design process to create adaptable and multi-wearable garments and headwear. In her practice-led research, she is curious to find answers to the following question – “how wearing certain garments affect a person?” - both internally and externally. Her motivation is to create design pieces that can be used as a trigger to empower and transform the wearer, in their everyday lives. She holds a BA degree from Tallinn University of Applied Sciences as a technical apparel designer, MA degree from Estonian Academy of Arts fashion design, and studied scenography in the Warsaw Academy of Fine Arts. Her background as a technical designer and attending to millinery course was a stepping stone to discover the interest of headwear, where she unites architectural forms into wearable items.
Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making. The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.
