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Estimated production time: 2 - 16 weeks
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“Gathering Heat” is a free standing, bio-ethanol fireplace designed for our innate instinct of gathering around sources of warmth. Its form plays on the dynamic movements of the campfire, historically a signifier of heat and sustained life. In the past, fire kept us warm and predators at bay, while today its heat remains along with its ability to draw us together. “Gathering Heat” is made of materials that uniquely employ heat in their production such as the hand-carved, lava stone base and the slumped, smoke glass centerpiece.
Gathering Heat is part of a series of objects designed to reintroduced the fire and is various roles back into our modern homes in safe and beautiful ways. The collection of work is an ode to the fire and the lively conversations that grew around it.
Glass, Lava Stone, Metal
Black and Grey
Christian Hammer Juhl (DK) and Jade Chan (SG) are a design duo educated at the Design Academy Eindhoven, Netherlands and currently based in Copenhagen, Denmark.
Christian + Jade celebrates the influence that our products can have on our lifestyle by designing everyday objects to encourage sensible and valuable interactions. Working out of the intention to rethink our living environment, the duo manifest works that spans between a variety of material and techniques, which comes together in a strong visual language and intent.
Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making.
The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.
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