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CURTAIN is a minimal space divider. The shape was inspired by the energetic flow of natural sea waves – it is boundless. The structure is designed without any straight lines. Simply connecting the modules and arches in different directions to form a wavy frame that looks like standing fabric. The structure allows changes in direction as well as unlimited extensions. The distorted structure makes it possible to enjoy looking at space with a new and unique perspective.
Didi NG Wing Yin, a designer from Hong Kong who is currently based in Helsinki. He works across the fields between Furniture Design, Spatial Design and Art. His works focus on examining the balance of abstract form and geometry to create his personal graphical language, through interplaying the contrast between materials, texture, shapes, colors and space to form harmonious compositions. With the influences of his multi-national backgrounds, his inspirations consist of the mixture of urban and nature alongside with cultures. His goal is to connect humans and object with contextual creation which allows audiences to enjoy the implied energy flow in his work.
Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making.
The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.
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