COIFFEUSE

by Chanel Kapitanj Belgium

3.146 Incl.21% VAT

10 in stock

Insured Delivery: 260
Est delivery: Oct 7th, 2021
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10 In stock and ready to ship

Estimated production time: 2 - 2 weeks

Dimension LxWxH (cm): 140x85x42
Open Edition Material : Powder lacquered metal
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  • 14 days return policy In the rare event, you receive a piece that you are not fully satisfied with, you can return it within 14 days of receipt for a full refund except return shipping costs. Made-to-order items are not eligible for return.

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Description

This furniture stands proudly in the center of a room or against a wall. It offers a storage space and a mirror in a minimalist configuration and simple shape. The dressing table, a product not often revisited, which, nevertheless, deserves all our attention. Made of powder-coated steel in whatever color. Also available in zinc chromated steel, brass, or copper on request, price on request.

Please note that the dressing table comes in 4 separated pieces, the buyer has to assemble every piece together once received.
Special edition for Adorno, signed by the designer.

Additional information

Weight 85 kg
Dimensions 90 × 45 × 65 cm
Dimensions LxWxH (cm)

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About the designer


Chanel Kapitanj

Born in Liège in 1992, Chanel Kapitanj studied Industrial Design in Belgium. Her fascination with metallic materials and manual work, pushes her to train in the profession of welder. As a result, in 2017, she launched her Design and Ironwork studio. It is with a minimalist approach and the highlighting of metallic materials that she approaches her projects.

Curated by

Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making. The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.