Cocar Chair, without headdress in Cabreúva wood - With artisans from Brazil

by YANKATU - Maria Fernanda Paes de Barros Brazil

4.000 incl. tax
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Made to order

Estimated production time: 12 weeks

Dimension LxWxH (cm): 65x45x92
Limited Editions Material : Natural Dyed, Wood
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Description

Through a careful observation, full of respect and admiration, every day I understand a little more about this fascinating universe and the incredible artists that translate it through their hands. The Alma-Raíz collection is born from my ever-deepening research of Brazilian identity. Sometimes it takes freedom to see the obvious. The braided tucumã straw is sturdy and beautiful, the use of it in furniture was just a matter of allowing myself not to follow established standards. The traditional sousplat is re-read and becomes the center of attention in the back of “Cocar” Chair. Made in Cabreúva wood, this chair is a conscious recreation of local tradition.

Tucumã straws, a palm typical of the Amazon Forest, receives natural dyeing with pigments also found in the region as caapiranga, margarataia, crajiru, jenipapo and urucum. Indigenous ancestry that crosses generations and today flows gracefully through the hands of Urucureá artisans, who braid the straw on the banks of the Arapiuns River, in Pará. Naturally dyed straw has unique characteristics that never repeat. Due to this process, the colors fade more easily than industrial ones; this is not considered a defect, it’s a way for it to tell its own story. At the time of ordering, you should check what options are available.

The dyeing of the straws is done by artisans of Urucureá riverside community, who also braided the straws creating traditional prints from Arapiuns river region.

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Additional information

Weight 18 kg
Dimensions 75 × 55 × 102 cm
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About the designer


YANKATU - Maria Fernanda Paes de Barros

My motivation comes from my soul and flows openly, on my life and in my work. I love what I do and I do it with intensity, I live every moment and I transmit all this emotion. In each project I immerse myself deeply in the region, in their craft and in the lives of the people who make them, it is a dive governed by research and by my soul, guided by the heart, done with respect and with the rhythm dictated by time. I get transformed and provoke transformations, and these atitudes reflect in the surroundings and beyond. I believe that design and art are one of the ways to value and eternalize the ancestral knowledge of Brazilian traditional crafts and the importance of nature around us, and so I use all tools that I have to create a quilt of infinite possibilities, full of feelings. Through Yankatu I expose not only my work, I bring with me the dreams and works of the artisans and instigate new dreams. The tangible part of this work are the pieces that intertwine my touch with the lives that share their moments with me. The other part, immeasurable, is in continuous development, in a mixture of art and freedom, with no date to finish. It is a continuous development, in a relationship created around respect and trust. My desire, to be able to do this as long as I live.

Curated by

As Belgium is a small country without a very distinctive, nationalistic pride, artists and designers can work in complete freedom. There’s no higher purpose to be served. Creations can be the most individual expression of the most individual emotion. Thanks to this liberal creative climate – in combination with a strong, historical artistic tradition and qualitative art schools – Belgian art, design, and its collectors have gained international recognition for their avant-gardism. Besides, Belgium has always been a melting pot of different cultures, combining both German and Roman influences. This historical context gives designers the opportunity to colour outside the lines and outspokenly explore the borders between art, design, crafts, and industry. Strict typologies are left behind; rather, banal materials are transformed for a high-end context and meaningful stories are transmitted as an extra emotional layer. In doing so, these emancipated creations break out of traditional frames of reference, open up to everyone, and stand with both feet in our multicultural and multi-layered contemporary society. Visit the Contemporary Design Market x ADORNO collection in person at: TOUR & TAXIS Gare Maritime Rue Picard, 11 – 1000 Brussels, Belgium Saturday, 24 September (9.00 - 18.00) Sunday, 25 September 2022 (9.00 - 17.00)