“Case Study 2 F” Object

by Tiina Sarapu Estonia

5.760 Incl.20% VAT

1 in stock

Insured Delivery: 480
Est delivery: Oct 5th, 2021
Shipping to :

Dimension LxWxH (cm): 60x45x21
Unique piece Material : Glass, plywood
Buyers protection
  • Certificate of Authenticity A signed certificate from the maker is always included in the box.

  • Lowest price guaranteed Find a lower price from the seller, we'll match it.

  • Secure online transactions All personal information that you send to us is encrypted and cannot be viewed by others.

  • 100% insured global deliveries We arrange worldwide delivery, and every shipment no matter the price is fully insured against damages.

  • 14 days return policy In the rare event, you receive a piece that you are not fully satisfied with, you can return it within 14 days of receipt for a full refund except return shipping costs. Made-to-order items are not eligible for return.

Questions? Ask the maker.
Request customation Make an offer Chat with the maker




An immense amount of crates travel all over the world each day. Things are packed and unpacked, into larger and smaller units. A logistical machine that drains the Earth. Relocation. Systematisation. Organizing. Doubt. What and where?

I have been interested in the feelings that crates with different sizes and shapes arouse in us: removal crate, casket, trunk, ballot box, display cabinet, shoe box, jewellery casket, etc. Enticing? Dangerous? Exciting? They can either hide something horrible or something wonderful.

The more finitely and securely the crates are closed, the more forcefully does the encased want to emerge. A system appealing to transparency might not be translucent. Something important will forever be hidden in reflections or obscure corners. We see deformations, desires and self-reflections.

The most compelling segment of these case studies is associated with space, light, and glass, at the intersection of ethics and aesthetics.

Additional information

Weight 17 kg
Dimensions 36 × 70 × 55 cm
Dimensions LxWxH (cm)

Weight (kg)



Production Year



About the designer

Tiina Sarapu

I studied glass art in Estonian Academy of Arts in 1990–1996. I have been working for the Department of Glass Art at the Estonian Academy of Arts as a teacher and technician, from 2003 to 2017 as an associate professor. I have taken part in several exhibitions, conferences, symposiums and workshops since 1994 both in Estonia and abroad. I have earned attention at several international contests of glass art. My works are owned by several institutions and collectors. Today I work as a freelancer in Tallinn, Estonia. Tiina Sarapu – glass artist with a bold vision, her installations and sculptures place glass in the role of clearly organised space or emptiness, not merely reducing it to its material characteristics. (Cultural Endowment of Estonia)   tiinasarapu.ee

Curated by

Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making. The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.