"Cabinet Diamond" Mirror

by Tero Kuitunen Finland

1.451 Incl.24% VAT



Estimated production time: 6 weeks

Dimension LxWxH (cm): 80x5x80
Open Editions Material : MDF, Mirror, Textile
Buyers protection
  • Certificate of Authenticity A signed certificate from the maker is always included in the box.

  • Lowest price guaranteed Find a lower price from the seller, we'll match it.

  • Secure online transactions All personal information that you send to us is encrypted and cannot be viewed by others.

  • 100% insured global deliveries We arrange worldwide delivery, and every shipment no matter the price is fully insured against damages.

  • 14 days return policy In the rare event, you receive a piece that you are not fully satisfied with, you can return it within 14 days of receipt for a full refund except return shipping costs. Made-to-order items are not eligible for return.

Questions? Ask the maker.
Request customation Make an offer Chat with the maker




Orange Mirror from the “Cabinet” Series Wall mirrors with a fringe edge made from glass mirror, mdf board, textile fringes. The theme of touch and play was first introduced in the Boudoir Mirror Collection introduced in Salone Satellite in 2018.

“I love creating objects that feel good in your hand. My aim is to create design with character and allow people to feel a connection with them. I want to awake feelings trough playfulness, and a sense of fun. These are recurring themes in my work.”

Additional information

Weight 5 kg
Dimensions 80 × 5 × 80 cm
Dimensions LxWxH (cm)

Weight (kg)


, ,

Production Year



About the designer

Tero Kuitunen

Tero Kuitunen works as a spatial and product designer in Helsinki. He has graduated as a designer from the Applied Arts MA program at the Aalto University School of Art, Design and Architecture.  Tero works as a product, concept and interior designer in projects for clients such as Supercell, Absolut Vodka, Aalto University and Ivana Helsinki. He is one of the founders of the Finnish award-winning brand Andbros. Currently Tero is working as a freelance designer with a vast experience in the design field. He has participated in international exhibitions and fairs in e.g. Beirut, Stockholm, Japan and Italy.  He was awarded with the 2nd price at Ekodesign competition at Habitare Fair in 2013 and received a one-year working grant from the Finnish Cultural Foundation in 2017. Tero was the curator of the Keskeneräiset Utopiat exhibition in 2017, held at The Sunila Pulp Mill and residential area designed by Alvar Aalto in Kotka, Finland. Throughout his work, Tero wants to find something that moves and touches people. Materials and colours are often his biggest inspiration when starting a new design project. \"I love to use bold colours, unexpected forms and humor. With these choices I want to evoke people with questions, make them happy and find insightful solutions.\"

Curated by

The body of work in this collection consists of pieces by Greek designers of the mainland and the diaspora, or international professionals who live and work in Greece. As a common theme we tackle the elusive notion of “Greekness” and how this transpires through the work of seemingly diverse and distinct individuals. In our attempt to define “Greekness”, we aim to raise questions about how this plays out in the work presented. How do Greek designers view their identity? Is it through their effort to decipher their heavy heritage? Is form important in order to achieve a predisposed classic elegance, or is a philosophical disposition towards shape more poignant? Could it be simply a resourcefulness and DIY ethic to make up for the absence of design infrastructure? How do Greek designers based abroad deal with their background? Could it be that they simply ignore it in order to finally free themselves? Is there a certain amount of innovation necessary in order to channel it into the new environment? Finally, how do foreign designers see their work influenced by their Greek surroundings? Is it the reference through the use of noble materials such as marble or the abundance of natural light that makes their work unquestionably Greek? Or could it be something else they were seeking when they decided to move here, something abstract like humour or drama? Could their arrival finally mean a departure from Greek heritage’s self-reference? The pieces that we present might seem ill-matched, but they share an important core element. They are confident in their narrative of a personal story of identity, that is either at peace or against the Greek archetype. Through this communication, they all describe a culturally mature and vibrant scene that is finally extroverted and coming of age.